La Perla

"La Perla" is a scathing, thinly veiled "diss track" that serves as a public exorcism of a toxic past relationship. Widely interpreted as addressing Rosalía's ex-fiancé, Rauw Alejandro, the song deconstructs the image of a charming superstar to reveal a manipulative and immature partner. The title itself is a double entendre: it refers to La Perla, the famous shantytown neighborhood in Old San Juan, Puerto Rico, where Rauw Alejandro is from, while simultaneously subverting the traditional symbolism of a pearl.

Typically, a pearl represents purity, rarity, and value. However, Rosalía twists this imagery to suggest something that looks precious on the outside but is hard, cold, or deceptive at its core. By warning that "this is a pearl no one trusts," she reclaims the narrative of their breakup, moving from the grief of her previous work to a place of empowered anger and ridicule. The song tackles themes of narcissism, infidelity, and emotional manipulation, specifically calling out the performative nature of her ex's public persona versus his private reality.

The mention of him being an "emotional terrorist" and a "monument to dishonesty" suggests a relationship plagued by gaslighting and lies. The lyrics also touch upon financial irresponsibility and the hollowness of fame ("collection of bras"), portraying the subject as someone who seeks validation from the masses because he lacks internal substance. Ultimately, the song is a declaration of freedom, where Rosalía uses sharp wit and cultural references to dismantle the pedestal her ex once stood upon.

The song opens with a direct and biting address to a former lover, greeting him as a "thief of peace" and describing his presence as a volatile "minefield" for the narrator's sensitivity. The lyrics immediately establish a tone of sarcastic disillusionment, characterizing the subject as a "playboy" and a "champion" of superficiality who recklessly spends money he doesn't even possess. The narrator mocks his attempts at self-improvement, noting that while he may attend therapy involving both psychologists and psychiatrists, the effort is futile because he "lies more than he speaks." This dishonesty is so profound that the narrator suggests a "monument to dishonesty" should be erected in his honor.

As the verses progress, the critique deepens into specific character flaws. The subject is labeled the "King of the 13-14," a Spanish idiom for someone skilled in trickery and deception. He is portrayed as a narcissist who believes he is the "center of the world," indifferent to the collateral damage of his actions. The lyrics poignantly point out that "loyalty and faithfulness" are foreign languages he is incapable of understanding. Instead of valuing these virtues, he prides himself on his "masterpiece"—a shallow "collection of bras" from his admirers—highlighting his vanity and need for external validation.

The chorus and climax of the song utilize the central metaphor of "La Perla." The narrator declares him a "local disappointment" and a "national heartbreaker," escalating the accusation to call him an "emotional terrorist" and a global disaster. He is described paradoxically as a "pearl" that no one trusts—a warning that this specific "pearl" is dangerous and one must be extremely careful around it. The narrative concludes with a sense of finality and warning, stripping away his charm to reveal the "star of senselessness" and an "Olympic gold medalist" in being a jerk, ultimately exposing the emptiness behind his shiny façade.

"La Perla" was released on November 7, 2025, as a standout track on Rosalía's fourth studio album, Lux. The song features the Mexican-American sibling trio Yahritza Y Su Esencia, marking a significant crossover between Rosalía's experimental pop sound and the booming Regional Mexican genre. The track was written by Rosalía alongside frequent collaborators Noah Goldstein and Dylan Wiggins, with additional writing credits from Ryan Tedder and David Rodríguez.

The collaboration with Yahritza Y Su Esencia was born out of Rosalía's continued fascination with Latin American musical traditions. Recorded between 2023 and 2025 in studios ranging from Los Angeles to Barcelona, the song's production was a meticulous process of blending orchestral arrangements with the acoustic, guitar-driven sound typical of sierreño music. The song gained immediate traction upon the album's release due to its explosive lyrics, which fans quickly decoded as a response to her highly publicized breakup with Rauw Alejandro in 2023. It was officially sent to Italian radio as the album's second single on December 5, 2025. Rosalía performed the song on The Tonight Show Starring Jimmy Fallon, wearing a wedding dress—a visual nod to her broken engagement—further cementing the song's lore.

The song utilizes a mix of assonance and perfect rhyme typical of contemporary Latin urban music. The rhythm is driven by the triple meter feel of the Regional Mexican waltz (often 3/4 or 6/8 time), which gives the song a swaying, corrido-like cadence. This traditional rhythmic backbone contrasts sharply with the modern, biting lyrical content.

The phrasing is rhythmic and percussive, with Rosalía often packing many syllables into a measure (rapid-fire delivery) before stretching out vowels on the emotional peaks of the chorus. This interplay creates a sense of urgency and venting, mirroring the release of pent-up frustration. The "13-14" line is delivered with a specific rhythmic punch that emphasizes the punchline of the idiom.

Musical Techniques: The track is a genre-bending fusion, merging the requinto guitars and acoustic bass (tololoche) characteristic of Regional Mexican music with Rosalía's signature experimental production. The arrangement uses sierreño instrumentation but processes it through a pop lens, creating a sound that is both organic and glossy. The vocal delivery alternates between Rosalía's breathy, flamenco-tinged falsetto and the soulful, raw delivery of Yahritza, creating a dialogue between the polished pop star and the grounded folk storyteller.

Literary Techniques: The lyrics rely heavily on irony and sarcasm (e.g., "Playboy, a champion"). She employs hyperbole effectively, calling him an "Olympic gold medalist" of being a jerk and a "national heartbreaker." The use of the spoken interlude—where she laughs and says not calling him an icon would be "reductive"—breaks the fourth wall, adding a conversational, confessional layer that makes the listener feel like a confidant.

"La Perla" became an instant viral sensation upon the release of Lux in late 2025. It ignited a massive social media discourse regarding Rosalía and Rauw Alejandro's relationship, with fans dissecting every line on platforms like TikTok and X (formerly Twitter). The song popularized the phrase "El rey de la 13-14" among a younger generation who were previously unfamiliar with the idiom.

Musically, it cemented the global dominance of Regional Mexican music, proving that the genre could seamlessly blend with European art-pop. The song's performance on Jimmy Fallon is considered a career highlight for Rosalía, praised for its theatricality and vulnerability. It also sparked a trend of "wedding dress" videos on social media, where users celebrated their own liberation from toxic relationships.

The song is dense with specific cultural symbols and biting metaphors:

• La Perla (The Title): A direct reference to the neighborhood in Puerto Rico associated with her ex-partner. It symbolizes his origin but is flipped to represent a warning rather than a badge of honor. It also plays on the idea of a "pearl" as a deceptive gem—shiny but created through irritation (the grain of sand).
• The "13-14" (La trece-catorce): Rosalía uses the Spanish idiom "hacer la 13-14," which refers to playing a dirty trick or deceiving someone. Calling him the "King of the 13-14" positions him as a master manipulator.
• "Collection of bras": A metonym for his hollow fame and infidelity. It references the common concert phenomenon where fans throw underwear at male artists, suggesting he values this superficial adoration over genuine "loyalty and faithfulness."
• Wedding Dress (Performance/Visuals): While not in the lyrics, her choice to perform the song in a wedding dress symbolizes the "death" of the engagement and the bride she never became, turning a symbol of union into one of mourning and eventual liberation.
• "Monument to dishonesty": A hyperbole that physically manifests his lies as a colossal structure, emphasizing the scale of his deceit.

The central motif is the phrase "Es una perla" (It's a pearl). This hook is repeated to drill in the warning: "Nadie se fía" (No one trusts it), "Una de mucho cuidado" (One to be very careful with). The repetition transforms the word "pearl" from a term of endearment into a red flag.

Another recurring element is the concept of the "Narrativa" (Narrative). She mentions his "reductive narrative," highlighting a motif of storytelling vs. reality—he tries to control the story (the icon, the victim), but she is rewriting it with the truth through this song.