Come Get Her

"Come Get Her" by Rae Sremmurd is a vibrant and boisterous celebration of club culture and hedonism, centered around the observation of a woman dancing with uninhibited confidence. The core meaning of the song revolves around the rappers' captivation with a woman whose dance moves are so skilled and provocative they are compared to those of a professional stripper. This comparison, repeated in the hook, is presented not as a derogatory remark, but as a testament to her flair and magnetic energy. The song paints a picture of a carefree and opulent lifestyle, filled with alcohol, parties, and a nonchalant attitude towards social norms. The lyrics explore themes of attraction, party dynamics, and the pursuit of a good time. The phrase "somebody come get her" acts as a recurring exclamation that highlights the woman's wild energy, suggesting she is the life of the party. Slim Jxmmi of Rae Sremmurd described the song as "uplifting" for women who are feeling themselves in the club. It's an encouragement for them to be confident, while also being a playful warning to her partner to come and claim her before the rappers do. The song also subtly touches on themes of female empowerment, as the woman is not depicted as a victim, but as someone in control of her own sexuality and presence, fully embracing the scene. Ultimately, "Come Get Her" is an ode to the electrifying atmosphere of club life and the charismatic individuals who define it.

The narrative unfolds within the vibrant, chaotic setting of a club or a party. The protagonists, members of Rae Sremmurd, are immediately struck by a woman who is dancing with uninhibited energy and skill, her movements reminiscent of a professional stripper. This observation is the central hook of the song, repeated in the chorus: “Somebody come get her, she’s dancin’ like a stripper.” This isn't necessarily a derogatory comparison; rather, it's a testament to her captivating and confident performance. The atmosphere is thick with the effects of alcohol, as the lyrics mention she's “feelin' all the liquor,” which fuels her uninhibited dancing.

The song delves into the typical elements of a modern party scene. There are references to drug use, specifically marijuana, with the line, “I’m a pothead, true enough.” This is presented with a nonchalant attitude, simply as a part of the environment. The social dynamics of the party are also touched upon, with mentions of being at an “ex's crib” while someone new is “boo'd up,” illustrating the intertwined and sometimes messy relationships within their social circle. The choice between “Hennessy or Don Q” is presented as a significant, albeit tongue-in-cheek, dilemma, highlighting a lifestyle of indulgence and choice. The lyrics also paint a picture of opulence and success. Phrases like “diamonds on my pinky need a gang of cool points” and the mention of a “drop head” (a convertible car) that makes others “drop dead” with envy showcase a bravado and a focus on material wealth as a status symbol. The rappers are not just passive observers; they are actively participating in and shaping the party's energy. They are “recruiting” women, sipping on “Patrón and wine,” and generally aiming to “have a good fuckin' time.” There's a sense of ownership and control over their environment.

A key theme is the confident and empowered sexuality of the woman at the center of the song. She is not portrayed as a passive object of desire but as an active participant who is in control of her own presence and sexuality. Her dancing on a table, “gushin' like volcano,” is a powerful image of her uncontainable energy. The narrative challenges a one-sided view of party culture, suggesting a more symbiotic relationship where everyone is a willing participant in the revelry. The rappers are both impressed by and drawn to her confidence. The recurring plea, “somebody come get her,” can be interpreted in multiple ways: a genuine, though playful, request for someone to handle her wild energy, an expression of being overwhelmed by her presence, or a call for someone to appreciate and match her vibrant spirit. The song captures a snapshot of a lifestyle that is fast-paced, hedonistic, and unapologetically celebratory, all centered around the magnetic pull of a woman who owns the dance floor.

"Come Get Her" was released on September 29, 2015, as the fifth single from Rae Sremmurd's debut album, SremmLife. The song was written by the duo, Khalif "Swae Lee" Brown and Aaquil "Slim Jxmmi" Brown, along with the producer Michael Williams II, known as Mike WiLL Made-It, and co-producer Asheton "A+" Hogan. The track was recorded in 2014 at Windmark Recording in Santa Monica, California, and Larrabee Sound Studios in North Hollywood, California. The audio mixing was handled by Jaycen Joshua and Mike WiLL Made-It, with assistance from Maddox Chhim and Ryand Kaul, and the mastering was done by Dave Kutch at The Mastering Palace in New York City. The song was released under the labels EarDrummers and Interscope Records. The music video for "Come Get Her" was released prior to the single, on September 21, 2015. The video was directed by Motion Family and produced by John Edward Curtis. It humorously depicts the duo being accidentally booked to perform at a country-music line-dancing club, creating a clash of cultures that adds to the song's playful nature. The video was filmed at the Cowboy Palace Saloon in Los Angeles.

The rhyme scheme in "Come Get Her" is relatively straightforward, primarily relying on couplets and simple end rhymes which enhance its catchy and easy-to-sing-along nature. The verses often follow an AABB rhyme scheme, a common feature in hip-hop that makes the lyrics flow smoothly and predictably. The rhythm of the song is driven by its mid-tempo trap beat, which provides a strong, danceable foundation. The lyrical rhythm, however, varies between the chorus and the verses. Swae Lee's delivery in the chorus is more melodic and rhythmically spaced out, allowing the lines to be easily chanted by a crowd. In contrast, Slim Jxmmi's verses feature a faster, more syncopated flow, adding a layer of rhythmic complexity and energy. This interplay between the steady musical rhythm and the varied vocal rhythms is a key element that gives the song its dynamic and engaging quality, making it a staple in party playlists.

"Come Get Her" utilizes a number of stylistic techniques to create its energetic and memorable sound. Musically, the song is built on a quintessential trap beat produced by Mike WiLL Made-It, characterized by its heavy bass, crisp snares, and a catchy, melodic synthesizer line that forms the song's main instrumental hook. The vocal delivery of Swae Lee and Slim Jxmmi is a key feature, with Swae Lee's melodic and often high-pitched hooks contrasting with Slim Jxmmi's more energetic and aggressive rap verses. This dynamic interplay between the two vocal styles is a signature of Rae Sremmurd's music. Lyrically, the song employs repetition to great effect, particularly in the chorus, which makes it highly memorable and perfect for a club setting. There is also use of modern slang and cultural references, such as "boo'd up," which ground the song in a specific contemporary context. The narrative structure, while simple, effectively tells the story of a night out, and the ad-libs interspersed throughout the track add to its spontaneous and energetic feel.

"Come Get Her" was a significant hit for Rae Sremmurd and played a key role in solidifying their status as purveyors of fun, energetic hip-hop in the mid-2010s. The song was the fifth single from their highly successful debut album, SremmLife, which was praised for its consistent stream of hits. The track performed well on the charts, reaching number 11 on the US Rap Chart and is certified 4x Platinum by the RIAA. The song's music video, with its humorous concept of the duo performing at a country bar, became very popular and further boosted the song's reach. "Come Get Her" became a staple at parties and clubs, with its catchy hook making it a singalong anthem. The song, along with others from SremmLife, is seen as influential in shaping a more fun and carefree era of hip-hop, moving away from more serious and gritty themes that were prevalent at the time. The success of Swae Lee's hook-writing on this and other tracks also foreshadowed his later success as a songwriter for other major artists.

The central metaphor in "Come Get Her" is the comparison of the woman's dancing to that of a stripper. This is not meant to be a literal or demeaning comparison, but rather a symbol of her uninhibited confidence, skill, and sexual empowerment. Her dancing is so captivating and professional in its execution that it commands attention and even a playful sense of being overwhelmed from the observers. The act of her "dancin' on the table, gushin' like volcano" is a powerful and vivid simile that symbolizes her explosive and untamable energy. The club or party setting itself can be seen as a microcosm of a hedonistic and carefree lifestyle, where social norms are relaxed, and self-expression is paramount. The recurring line "somebody come get her" functions as a symbolic plea that underscores the intensity of her presence; it’s a playful admission that her energy is almost too much to handle, further elevating her status as the center of attention.

The most prominent recurring phrase in "Come Get Her" is the chorus itself: "Somebody come get her, she's dancin' like a stripper." This line is repeated multiple times throughout the song, acting as its central hook and defining theme. Its repetition drills the song's main idea into the listener's head, making it incredibly catchy and memorable. The phrase serves to emphasize the captivating and wild nature of the woman on the dance floor. Another recurring line is "Somebody come tip her," which is a direct extension of the stripper metaphor, playfully suggesting that her dancing is of a professional and impressive quality that deserves monetary appreciation. The motif of being under the influence of alcohol is also recurrent, with the line "she's feelin' all the liquor" appearing in the chorus, linking her uninhibited behavior to intoxication. These recurring elements work together to create a cohesive and highly infectious party anthem.