The song begins with the narrator describing a significant change in their daily life. Their days are now filled with imagining and planning things to do with a specific person. This daydreaming has become a new, cherished routine. A simple act, like seeing this person's happy and joyful expression, is enough to make the narrator smile without even realizing it. There's a sense of involuntary, genuine happiness that stems directly from the other person's joy.
This pleasant daydreaming extends into the night. The narrator admits to having many sleepless nights, not from worry, but from the excitement and fluttering feelings caused by this person's actions. They toss and turn, replaying moments and feelings, a classic sign of a burgeoning crush. The accumulation of these thoughts and sleepless nights leads to a dawning realization. The narrator concludes, with a sense of gentle certainty, that what they are feeling must be love. It's a conclusion that seems obvious to any outside observer. There's a slight apprehension mixed with this realization, a thought that spending entire days together might become tiring, yet even when they are physically apart, their thoughts are completely consumed by this person. This constant mental presence is the undeniable proof: it must be love.
As the song progresses, this pattern of thinking about the person and the desire to do more with them only intensifies. The number of days spent entirely in this state of happy preoccupation grows. The chorus repeats, reinforcing the central theme. The evidence is overwhelming, and the internal debate is settled. Even with the hypothetical fear of getting tired of each other, the reality is that this person dominates their thoughts completely. The phrase “it must be love” becomes a comforting and accepted truth.
In the bridge, the focus shifts slightly from the narrator's internal world to a more direct, albeit still internal, address to the other person. Seeing the other person's happiness continues to be a source of the narrator's own unconscious smiling. This leads to a moment of hopeful vulnerability. The narrator feels that their feelings should be obvious by now and hopes the other person recognizes them. There's a gentle nudge, a suggestion that the other person should also find the courage to act on their feelings. The song concludes with a hopeful proposition: if these feelings are mutual, then they are worth exploring. The final line, once again, settles on the sweet conclusion, “I guess it's love,” moving from a personal realization to a shared potential.
Song Discussion - Love, Maybe by MeloMance
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