Prison of Flesh

Prison of Flesh is a deeply personal and terrifying exploration of dementia and the disintegration of the human mind. Vocalist Will Ramos has explicitly stated that the lyrics are inspired by his family's history with the disease. The song serves as a visceral sonic representation of the fear, confusion, and helplessness experienced by those suffering from neurodegenerative conditions.

The central theme creates a distinction between the physical body and the conscious self. The "prison of flesh" refers to the body continuing to exist and function biologically while the mind—the essence of the person—decays and vanishes. The lyrics personify the symptoms of dementia as "demons" or shadow entities that are "coming to get" the narrator, representing the terrifying moments of lucid realization where one feels their memories and sanity slipping away.

Implicitly, the song also touches on the trauma of the observer—the family members who must watch their loved ones become "husks" of fear and delusion. The aggression in the music mirrors the internal frustration and chaos of a brain misfiring, while the symphonic elements add a tragic, mourning quality to the inevitable loss of self.

The narrative begins with a sense of profound disorientation, as the protagonist finds themselves adrift in a twilight state where the boundaries between reality and shadow blur. A malevolent force assaults the mind, described as a slow, internal consumption that erodes the narrator's essence from the inside out. There is a palpable panic as the protagonist senses entities—'they'—closing in, tightening their grip on a soul that is already withering away.

As the struggle intensifies, the narrator describes the sensation of their roots being ripped apart, severing the connections that once held them in control of their own identity. A desperate plea arises to either be restored to wholeness or completely destroyed, as the sorrow becomes desensitized and the body transforms into a hollow vessel, vacant of everything except fear. The internal darkness is inescapable; the 'demons' reside within, marking the irreversible nature of the condition.

The story progresses to a rapid fading of the self. The protagonist searches for answers in the darkness but finds only a void. Having 'drunk from the river'—a metaphor for forgetting or the loss of memory—they are left withered and lost within the labyrinth of their own mind. Time runs out as the realization hits: they are becoming a 'prison of flesh,' a mere physical shell confining the curse of a decaying mind. The narrative concludes with a chaotic descent into the void, suffocating in an ashen wake as the hatred and the self burn away, leaving nothing but the empty, biological cage.

Released on August 14, 2025, "Prison of Flesh" served as the third single for Lorna Shore's fifth studio album, I Feel The Everblack Festering Within Me (released September 12, 2025). The song marked the band's return to new music after a three-year gap following 2022's Pain Remains.

The track was produced by Josh Schroeder, who has been a long-time collaborator with the band. Vocalist Will Ramos wrote the lyrics as a therapeutic way to process his raw feelings regarding his family's struggles with dementia. In interviews with publications like Kerrang! and Revolver, Ramos noted that the band aimed to create their "heaviest" and most "high-stress" song to date to match the weight of the subject matter.

The release was accompanied by a gruesome music video directed by David Brodsky, which featured horror-inspired visuals including a woman cannibalizing her husband, serving as a graphic metaphor for the disease consuming the person. Ramos cited the breakdown at the end of the song as one of his personal favorites the band had ever written.

The lyrics largely follow a free verse structure, prioritizing narrative flow and emotional impact over a strict rhyme scheme. However, there are instances of slant rhymes and internal rhymes (e.g., "mind" / "inside," "twilight" / "skin" - though loose, "dark" / "depart") that maintain a rhythmic cohesion.

Rhythmically, the vocal delivery is syncopated and erratic, mirroring the confusion of the narrator. The phrasing often accelerates, creating a feeling of panic ("I am fading, faster"), before dropping into slow, heavy breakdowns that simulate the sluggish, crushing weight of depression and stagnation. The interplay between the rapid lyrical bursts and the halftime instrumentals creates a jarring push-and-pull effect, emphasizing the internal conflict.

Musical Techniques: The song features Lorna Shore's signature blackened deathcore sound but dials up the intensity to match the frantic theme. It utilizes rapid-fire blast beats and complex guitar work by Adam De Micco to create a sense of chaos. The arrangement incorporates sweeping orchestral/symphonic elements that provide a melancholic, cinematic backdrop to the brutality.

Vocal Techniques: Will Ramos employs a diverse range of vocal styles, shifting between guttural lows, high-pitched shrieks, and "goblin" noises. This animalistic delivery is used stylistically to convey the dehumanizing effect of dementia—the voice becoming less human as the mind deteriorates.

Literary Techniques: The lyrics use personification (giving the disease agency as 'they') and sensory imagery ("shadows meet my skin," "suffocate in the ashen wake") to make the abstract concept of mental decay physically palpable.

Upon its release in 2025, "Prison of Flesh" solidified Lorna Shore's position as leaders of the modern deathcore scene. The song was praised for tackling a serious and stigmatized health issue (dementia) with maturity and extreme heaviness, resonant with fans dealing with similar family traumas.

The breakdown went viral on social media platforms, continuing the trend set by their previous hit "To The Hellfire." It served as a key promotional track for the album I Feel The Everblack Festering Within Me, demonstrating the band's ability to evolve their sound while maintaining their core intensity. The music video's shocking imagery also sparked significant discussion within the metal community regarding the portrayal of mental illness in art.

The lyrics are dense with metaphors for cognitive decline:

• "Twilight" and "Shadows": These represent the onset of the disease, the grey area where clarity begins to fade into confusion.
• "The River": Likely a reference to the River Lethe from Greek mythology, the river of forgetfulness. Drinking from it symbolizes the involuntary erasure of memories.
• "Demons" / "They": These figures personify the symptoms of dementia—paranoia, hallucinations, and the feeling of losing control. Ramos uses them to give a physical form to an invisible illness.
• "Prison of Flesh": The core metaphor of the song. It symbolizes the tragedy of the body surviving while the mind dies. The body becomes a cage (prison) that traps the suffering soul, unable to escape the "curse" within.
• "Roots": Represent memories, personality traits, and connections to reality that ground a person. Their being "ripped apart" illustrates the violent severance from one's own identity.

"They're coming to get me" is a key recurring phrase/motif. Its repetition emphasizes the paranoia and the relentless, approaching nature of the disease. It transforms from a suspicion to a terrifying certainty as the song progresses.

The phrase "Prison of Flesh" serves as the central hook and thematic anchor, appearing at pivotal moments to summarize the protagonist's plight. Additionally, the motif of "fading" and "darkness" recurs throughout, reinforcing the inevitable slide into oblivion.