Only Ones Who Know

Only Ones Who Know is a poignant exploration of transient connection, the fragility of modern romance, and the bittersweet nature of memory. Unlike the frantic, observational storytelling typical of the Arctic Monkeys' early work, this track adopts a slower, more voyeuristic lens, watching a relationship bloom and fade from a distance.

The central theme revolves around a fleeting holiday romance or a brief encounter in a 'foreign place.' The lyrics capture the intoxicating rush of new love ('fierce excitement,' 'eyes are bright') but immediately undercut it with a sense of impermanence. The reference to 'Juliet' suggests an idealized, almost theatrical romance that is perhaps too perfect to be real—she is just the 'icing on the cake' for a man looking for an escape, rather than a partner for a lifetime.

A key layer of the song is its cynicism mixed with hope. The narrator seems to be an older or wiser observer (or perhaps a future version of one of the lovers) who recognizes the futility of their 'little promises' to stay in touch. The line 'I hope you're holding hands by New Year's Eve' serves as a litmus test for the relationship's longevity, while the observation that 'they made it far too easy to believe that true romance can't be achieved these days' critiques the disposable nature of modern dating. Ultimately, the title implies that the truth of the relationship—its validity, its intensity, and its reason for ending—remains a secret shared exclusively between the two people involved, inaccessible to the outside world.

The song unfolds as a quiet observation of a brief, intense romantic encounter between two strangers in a foreign setting. It begins with the image of a man in a 'foreign place' who finds salvation in the thrill of stealing a woman's heart. He is described as being eager to impress, his eyes bright with 'fierce excitement' and a desperate need to escape his current reality. The narrator notes that the woman, referred to metaphorically as 'Juliet,' was merely the perfect addition—the 'icing on the cake'—to his escapist fantasy.

The chorus shifts the perspective to a more omniscient or perhaps internal voice, addressing one of the lovers directly. It suggests that even if they had been given exactly the situation or place they desired, they likely could have achieved a better outcome on their own, hinting at the inevitable disappointment of relying on this specific connection for fulfillment.

The second verse focuses on the woman's perspective and the hollowness of the promises made. The narrator bets she told 'a million people' she would stay in touch, but dismisses these vows as meaningless 'little promises' that pale in comparison to the immediate act of making memories. The narrator expresses a cynical yet tender hope that the couple is still together by New Year's Eve, noting that society—or perhaps the lovers themselves—has made it too easy to believe that 'true romance can't be achieved these days.'

The song concludes with a repetition of the chorus's sentiment: that even with the perfect setting, the outcome might not have changed, leaving the couple as the 'only ones who know' the true depth and reality of what passed between them.

Only Ones Who Know was released in 2007 as the sixth track on the Arctic Monkeys' acclaimed second album, Favourite Worst Nightmare. The song represents a significant departure from the band's established sound, stripping away the aggressive drums and rapid-fire delivery that characterized their debut.

The track was recorded at Chapel Studio in Lincolnshire. In a move that preserved its intimate and atmospheric quality, the backing track was recorded live in a single take, with the band members playing together in the room. Unusually for the band, the song features no drums, a creative decision that highlights the song's floating, dreamlike quality.

A defining element of the recording is the pedal steel guitar, which provides the song's distinctive, weeping melody. This instrument was played by the album's producer, James Ford, rather than a band member. Frontman Alex Turner wrote the lyrics, which showcase his evolving maturity as a songwriter, moving from tales of Sheffield nightlife to more universal, cinematic themes of love and longing. The song's arrangement was partly inspired by the 1950s and 60s ballads, aiming for a 'prom night' aesthetic that contrasts with the heavier rock tracks on the album.

The song follows a generally loose, ballad-like structure with a sophisticated rhyme scheme. The verses often utilize AABB or AABCCB patterns with strong end rhymes (e.g., 'feeling/stealing,' 'cake/mistake'). However, Turner also weaves in internal rhymes that propel the lyrical flow forward.

Rhythmically, the song is in 4/4 time but played with a slow, rubato feel due to the lack of a drum beat. The rhythm is carried entirely by the strumming of the guitars and the vocal phrasing. This loose, floating rhythm contributes to the song's 'drift'—it feels like a memory slowly surfacing rather than a present-tense event. The pacing is deliberate and unhurried, forcing the listener to hang on every word and chord change, reinforcing the themes of introspection and lingering thought.

Musically and lyrically, the song employs several distinct techniques:

• Instrumentation: The most notable technique is the absence of percussion. Without a beat to drive it, the song floats on a bed of reverb-drenched electric guitars and the weeping slide of the pedal steel guitar (played by James Ford). This creates a 'space pop' or 'dream pop' atmosphere.
• Vocal Delivery: Alex Turner uses a crooning, softer register compared to his usual punk-influenced bark. His delivery is conversational yet melodic, enhancing the intimacy of the track.
• Reverb and Space: The production uses heavy reverb to create a sense of vastness and isolation, mirroring the 'foreign place' setting and the distance between the lovers.
• Internal Rhyme: Turner employs intricate internal rhymes (e.g., 'saving grace was the feeling,' 'heart that he was stealing,' 'icing on the cake/make no mistake') which give the lyrics a poetic, flowing quality despite the slow tempo.
• Narrative Voice: The song uses a shifting perspective, moving from third-person observation ('he was ready to impress') to direct address ('I hope you're holding hands'), blurring the line between a detached narrator and an involved participant.

While not released as a single, Only Ones Who Know has become a cult favorite and a critical darling, often cited as evidence of Alex Turner's songwriting versatility early in his career.

• Live Legacy: A notable version features a collaboration with Richard Hawley, who added vocals and guitar in live performances, further cementing the song's crooner/ballad credibility. This version is widely beloved by fans.
• Media Usage: The song was featured in the TV show New Girl, introducing it to a broader American audience and cementing its association with poignant, romantic scenes. It was also used in the CBBC show Jamie Johnson.
• Cover Versions: It has been covered by various indie artists and is a popular choice for acoustic covers on YouTube due to its harmonic beauty. The song also paved the way for the slower, more lounge-pop sound that Arctic Monkeys would fully embrace on later albums like Tranquility Base Hotel & Casino.

The lyrics utilize subtle but evocative imagery to convey the song's emotional weight:

• 'Foreign Place': Represents not just a geographical location, but a state of mind where normal rules and consequences don't apply, allowing for a 'saving grace' or temporary escape from reality.
• 'Juliet': A classic symbol of tragic, idealized romance. Calling her 'just the icing on the cake' reduces this grand archetype to a mere accessory, suggesting the man's feelings were more about the situation than the person.
• 'New Year's Eve': A temporal landmark symbolizing survival and the passage of time. Hoping they are 'holding hands' by this date is a test of whether the relationship can survive the transition from a holiday fantasy to real-life permanence.
• 'The Place You Wanted': A metaphor for a desired emotional state or a perfect relationship scenario. The narrator suggests that external circumstances (the 'place') are irrelevant if the internal connection isn't solid, implying happiness is an internal job ('made it that bit better on your own').

The phrase 'And even if somehow...' introduces the chorus sections, serving as the structural pivot point of the song. It signals the shift from observation to philosophical reflection.

The title line, 'You are the only ones who know,' occurs only at the very end (and implicitly in the chorus structure), acting as the final verdict. It seals the narrative, shutting out the observer and the listener, and returning the ownership of the memory to the lovers themselves.

Musically, the pedal steel motif—a sliding, descending melodic figure—recurs throughout the intro and instrumental breaks. This motif acts as a sonic representation of longing and a 'sigh,' grounding the song emotionally even when the lyrics stop.