דיבורים של אמת

Core Theme: The Duality of the Believer
"Divurim Shel Emet" (Words of Truth) is a profound exploration of the internal conflict faced by a person of faith. The song challenges the notion that a religious person must be perfect. Instead, Elitzur presents a realistic, often gritty picture of the human condition, acknowledging that a person can be simultaneously "heaven and hell," "pure and impure." This reflects the Hasidic concept that the struggle itself is part of the service of God.

Faith Amidst Chaos
The song addresses the mental and emotional turmoil ("madness," "explosions") of modern life. The "truth" mentioned in the title is not a philosophical truth, but an emotional honesty—admitting one's brokenness. The refrain "Only in You I trust" serves as an anchor. It suggests that security doesn't come from solving all internal problems, but from relying on a higher power despite them.

Breslov Influence
The lyrics are heavily steeped in the philosophy of Rabbi Nachman of Breslov. Phrases like "There is no despair in the world" (Ein yeush ba'olam klal) and the idea of "throwing away the intellect" (suspending rational skepticism to embrace simple faith) are direct references. The "weeping eye and happy heart" is also a classic Breslov motif, teaching that one can feel the pain of distance from God while simultaneously rejoicing in the connection one still has.

The song opens with a raw confession of the artist's desperate need to speak the absolute truth. He describes a burning desire to pour out his heart, to stand in prayer, and to beg for mercy in an attempt to draw closer to the Divine. He depicts the fundamental human struggle: a spiritual soul trapped within a physical body, enduring the hardships of life. Despite the surrounding "madness" and the internal chaos, he declares his resilience, refusing to give up or let go of his station.

As the narrative progresses, the lyrics reveal a sense of exhaustion from trying every possible solution without finding an end to the struggle. The artist uses the imagery of war and explosions to describe his mental state, eventually choosing to "throw away his intellect"—a Breslov Hasidic concept of setting aside overthinking in favor of simple faith—and simply sing. This act of singing becomes a release, transitioning into a powerful acknowledgement of his complex nature.

In the chorus, the protagonist embraces his duality. He admits that he contains "everything" within him: he is both heaven and hell, impure and pure, falling and rising. He exists in the holy and the profane, feeling simultaneously small and great. Amidst this internal contradiction, he fights and cries out with a singular resolution: that he trusts only in God. This trust is paradoxically maintained with "an eye weeping in bitterness and a heart rejoicing," illustrating the coexistence of pain and joy.

The song continues by likening the speaker to a "lost child" wandering a crazy world, holding onto the promises of "The Rabbi" (Rabbi Nachman of Breslov) who assured that there is no despair. He expresses a stubborn hope, willing to wait for salvation even if it doesn't come today. He compares the Jewish soul to old wine that only improves and praises despite difficulties. The song concludes with a reaffirmation of this unwavering trust, knowing that God loves him and never forgets him.

Release and Reception
Released on December 15, 2025, "Divurim Shel Emet" quickly became a viral hit in Israel, garnering thousands of views within hours of its premiere. It was released as a single from Yair Elitzur's album following the massive success of his previous hit, "Tamid Ohev Oti."

Creative Team
The song was a collaborative effort between Yair Elitzur and his frequent musical partner, Moshe Ben Avraham. Both are credited with writing the lyrics, while Ben Avraham composed the melody and co-produced the track with Ofek Yekutiel. The production took place at O&M Studio.

Inspiration
Elitzur, known for his journey from a secular rapper to a Breslov Hasid, wrote this song as a personal confession. It reflects his ongoing spiritual journey, moving beyond the initial "high" of repentance into the complex reality of maintaining faith during daily struggles. The song was designed to give a voice to those who feel "impure" or "broken," validating their place in the religious world.

Rhyme Scheme
The song utilizes a mix of simple AABB and ABAB rhyme schemes, characteristic of pop anthems. For example, "Lev" (Heart) rhymes with "Lehitkarev" (To get closer). The rhymes are often direct and emphatic, prioritizing clarity of message over complex wordplay.

Rhythm and Pacing
Set at a tempo of approximately 125 BPM, the song has a driving, marching rhythm. The verses have a conversational, staccato flow (reminiscent of rap), while the chorus opens up into a melodic, sweeping rhythm. The "Ay ay ay" interlude breaks the lyrical meter, acting as a non-verbal emotional release that transcends the rhythm of the words.

Literary: Antithesis and Juxtaposition
The lyrics rely heavily on contrasting pairs: "Small/Big," "Pure/Impure," "Holy/Profane." This technique emphasizes the song's central theme of duality and completeness—accepting the whole self.

Musical: Dynamic Build-up
The song begins with a piano-driven, ballad-like intro that sets a confessional tone. As it progresses, the arrangement swells with drums and electronic elements, mirroring the lyrical shift from quiet prayer to a loud, fighting cry.

Vocal Delivery
Elitzur employs a style that sits between singing and spoken word/rap. His delivery is raw and unpolished in places, often breaking into a near-shout or wail ("Ei ei ei..."), which enhances the feeling of authentic, desperate prayer over technical perfection.

Viral Success in the Jewish World
Upon its release in late 2025, the song immediately trended on YouTube and streaming platforms in Israel. It resonated deeply within the Baal Teshuva (returnees to faith) community and the broader Religious Zionist and Ultra-Orthodox sectors.

Anthem for the Imperfect
Elitzur has carved a niche as the voice of "street" Judaism—accessible, non-judgmental, and raw. This song solidified his status as a key figure in the "Emunah Pop" genre, influencing a wave of artists who blend secular musical styles (rap/rock) with deeply religious, Hasidic messages. It became a staple in youth group gatherings and Kumzitz (communal singing) events due to its honest portrayal of spiritual struggle.

Heaven and Hell / Pure and Impure
These juxtapositions symbolize the Yetzer Tov (good inclination) and Yetzer Hara (evil inclination). Elitzur uses them to show that containing "Hell" (negative thoughts/sins) does not disqualify one from "Heaven" (holiness); they coexist in the human experience.

The Lost Child
A metaphor for the existential state of humanity. It represents vulnerability and the need for guidance, portraying the believer not as a confident conqueror, but as a child seeking its parent (God).

Old Wine
The line "A Jew is like old wine" suggests that struggles and the passage of time add value and depth to a person's character, rather than diminishing it. Just as wine improves with age, the soul improves through enduring hardships.

Eye in Bitterness, Heart Rejoicing
This imagery symbolizes emotional compartmentalization required in faith: acknowledging the pain of reality (the weeping eye) while maintaining a fundamental, spiritual joy (the happy heart) because of one's trust in God.

"Yesh Bi Hakol" (I have everything in me)
This phrase is the conceptual hook of the song. Its repetition forces the listener to confront and accept the complexity of their own identity.

"Rak Becha Ani Tamid Boteach" (Only in You I always trust)
This is the spiritual anchor. It is repeated at the end of the chaotic descriptions of the self, serving as the resolution to the internal conflict. No matter the "madness" described, the lyrics always land back on this phrase.

"Ei, Ei, Ei..."
A recurring vocal motif (chant) common in Jewish and Hasidic music (Niggun style). It represents a cry from the soul that words cannot express, bridging the gap between the verses and the chorus.