cowboy like me

Taylor Swift's "cowboy like me" tells a fictional story about two professional con artists who make their living by swindling wealthy individuals at upscale resorts. The narrative unfolds from the perspective of one of the grifters who, upon meeting her male counterpart, recognizes him as a fellow hustler ("Takes one to know one / You're a cowboy like me"). Initially, their interaction is a cat-and-mouse game, as both are used to feigning love for personal gain.

However, what starts as a potential scheme to con each other unexpectedly blossoms into genuine love. The central theme is the idea of two cynical, guarded individuals finding an authentic connection with the only person who truly understands their deceptive lifestyle. The song explores themes of loneliness, past indiscretions, and the transformative power of finding a kindred spirit. Their shared history of manipulation and heartbreak ("the skeletons in both our closets") becomes a foundation for their bond rather than a barrier. The final line, "Forever is the sweetest con," is ambiguous; it could suggest that their newfound love is the ultimate, most rewarding deception they've fallen for, or it could imply that the very idea of 'forever' is an illusion they are choosing to believe in together.

The narrative begins at a high-class event, possibly a wedding or a fundraiser, indicated by the vague but suggestive line, "And the tennis court was covered up / With some tent-like thing." The narrator, feeling like an outsider, is approached by someone who asks for a dance. Wary and guarded, she replies, "Dancin' is a dangerous game," signaling her experience with deceit and manipulation in romantic encounters. Initially, she dismisses the interaction as just another fleeting affair, another game to be played. However, a profound realization dawns on her: this connection is different, so much so that she believes she'll "never gonna love again" after this experience.

Both the narrator and her newfound counterpart are revealed to be seasoned hustlers, or "cowboys," who survive by charming the wealthy. They've always prioritized material gain—a "fancy car" over genuine love. She admits to having "tricks up my sleeve" and recognizes the same cunning in him with the phrase, "Takes one to know one." This mutual recognition of their shared lifestyle and skillset forms the basis of their bond. They are kindred spirits perched in the dark, experts at telling rich people whatever they want to hear, feigning love for profit. The narrator used to see love as a transaction: "I could be the way forward / Only if they pay for it."

Yet, meeting this person shifts her perspective entirely. It's a surprising, serendipitous encounter where real love becomes a possibility. She finds herself waiting anxiously by the phone, a vulnerability she likens to "sitting in an airport bar." The dynamic changes from a transactional relationship to a genuine one, where the potential for a future together is real, and she acknowledges the emotional cost: "We could be the way forward / And I know I'll pay for it."

The bridge delves into their complicated pasts, acknowledging the "skeletons in both our closets" that threaten to sabotage their budding relationship. The narrator reflects on the "old men that I've swindled" who genuinely believed her act, and the gossip about his own deceptive history among the "ladies lunching." Despite these pasts, they have managed to commit to each other, to "lock it down."

The intimacy of their current relationship is captured in vivid imagery: "Now you hang from my lips / Like the Gardens of Babylon / With your boots beneath my bed." This suggests a deep, almost mythical connection. The narrator concludes that "Forever is the sweetest con," a poignant and ambiguous statement. It could mean that the idea of forever is the ultimate deception they've both fallen for, or that building a life together is the most wonderful and rewarding trick they've ever pulled off. The song closes with the repeated, haunting line, "I'm never gonna love again," reinforcing the unique and irreplaceable nature of the love she has found with her fellow "cowboy."

"cowboy like me" was written by Taylor Swift and Aaron Dessner for Swift's ninth studio album, Evermore, released on December 11, 2020. The album was a surprise release and conceived as a "sister record" to her eighth album, Folklore, created during the COVID-19 pandemic. Swift and Dessner continued their remote collaboration, with Dessner sending instrumental tracks to Swift, who would then write the lyrics.

This particular track features uncredited backing vocals from Marcus Mumford, the lead singer of the band Mumford & Sons. According to Swift, finding a studio to record in during the pandemic was challenging. Dessner reached out to Mumford, who generously offered his home studio in the UK, Scarlet Pimpernel Studios, for the recording session. The song was produced by Aaron Dessner. The instrumentation also features notable contributions from Josh Kaufman on lap steel, harmonica, and mandolin, and Justin Vernon (of Bon Iver) on the drum kit.

"cowboy like me" is rich with symbolism and metaphors that construct its narrative of love between two hustlers.

• The 'Cowboy' and 'Bandit': This is the central metaphor. Instead of literal cowboys, the term represents nomadic, rule-breaking con artists who roam from place to place, charming their way into wealth. They are "hustling for the good life" and don't adhere to polite society's rules.
• "Dancin' is a dangerous game": Dancing serves as a metaphor for the game of love and seduction. The narrator's initial reluctance highlights her awareness that engaging with her counterpart is risky, as it could lead to genuine emotional entanglement, disrupting her carefully constructed life of deceit.
• "Skeletons in both our closets": This idiom literally refers to their pasts filled with swindled lovers and deceitful acts. These pasts conspire to ruin their new, genuine relationship, representing the baggage and reputation that follows them.
• "Gardens of Babylon": This reference to the ancient wonder of the world symbolizes the rare, beautiful, and almost mythical nature of their love. Just as the historical existence of the gardens is debated, the love feels surreal and perhaps precarious. The line "Now you hang from my lips" also plays on the legendary 'hanging' gardens.
• "Forever is the sweetest con": This final, powerful metaphor encapsulates the song's ambiguity. It suggests that committing to forever is the ultimate hustle, a beautiful deception they've willingly embraced. It frames their love as the most successful and rewarding "con" they've ever been a part of.

The emotional atmosphere of "cowboy like me" is predominantly melancholic, nostalgic, and deeply romantic. It evokes a hazy, dream-like state, as if recounting a memory. The song begins with a sense of guardedness and cynicism, as the narrator is accustomed to a life of emotional detachment and feigned affection. As she recognizes a kindred spirit, this caution melts into a surprising vulnerability and burgeoning hope. There's an undercurrent of danger and risk, captured in the line "dancin' is a dangerous game," which reflects the high emotional stakes of two career grifters letting their guards down. The overall tone is one of surrender—two world-weary souls who have finally met their match and are succumbing to a genuine love they never expected to find. The harmony vocals from Marcus Mumford add a layer of warmth and gravity, enhancing the song's intimate and confessional quality.

Released as part of the critically acclaimed album Evermore, "cowboy like me" was praised by music critics, with many highlighting its lyrical narrative and mature, mellow sound as a standout track. While not released as a single, the song charted internationally upon the album's release, peaking at number 71 on the US Billboard Hot 100, number 43 in Canada, and number 62 on the Billboard Global 200. The song is noted for marking a return to Swift's country and Americana roots, blended with an indie-folk sensibility. The collaboration with Marcus Mumford, though uncredited on the tracklist, was highly praised. Mumford has since performed the song regularly on his own solo tours, and he joined Swift to perform it live as a surprise song during The Eras Tour in Las Vegas in March 2023, which was a celebrated moment for fans.

"cowboy like me" has a slow, ballad-like tempo set at approximately 68 beats per minute. The song is in the key of C major. The rhythm is gentle and unhurried, driven by a simple piano groove and easy-brushed drums, which supports the storytelling and creates a relaxed, contemplative mood. The song's structure is somewhat unconventional and fluid, contributing to its narrative feel rather than being strictly defined by a repeating chorus. The separation between verses can feel ambiguous, making it feel more like a continuous tale set to music. The rhyme scheme is not strictly consistent, often relying on slant rhymes (e.g., "game" and "again") and a more conversational flow, which enhances the lyrical storytelling. The repetition of the line "I'm never gonna love again" at the end serves as a powerful refrain, creating a haunting and memorable conclusion.

"cowboy like me" employs a blend of literary and musical techniques to create its hazy, narrative-driven atmosphere.

• Narrative Voice: The song is told from a first-person perspective, creating an intimate and confessional tone. The story starts in media res with the word "And," suggesting the listener is dropped into the middle of an ongoing story, which adds to its mystique.
• Instrumentation: The musical arrangement is mellow and atmospheric, blending elements of Americana, country, and blues. It features a languid piano, acoustic and electric guitars, lap steel, harmonica, and brushed drums, creating a soundscape described as "smoky" and nostalgic. An electric guitar solo appears midway through, adding to the song's reflective mood.
• Vocal Delivery: Swift adopts a gentle, sultry vocal performance with a noticeable country twang, harkening back to her musical roots. The harmony vocals by Marcus Mumford are described as "shadowy" and "whispery," adding depth and a masculine counterpoint to the narrative.
• Ambiguous Structure: The song deviates from a standard verse-chorus structure. Its form is more fluid and less intuitive, which mirrors the blurry, dream-like quality of the story being told.

What is the story behind Taylor Swift's song 'cowboy like me'?

The song tells a fictional story about two veteran con artists who make a living by swindling wealthy people at fancy resorts. They unexpectedly meet, recognize each other as fellow hustlers, and end up falling in love for real.

Who sings the background vocals on 'cowboy like me'?

The male harmony vocals on "cowboy like me" are performed by Marcus Mumford, the lead singer of the English folk-rock band Mumford & Sons. Though his contribution is significant, he is not officially listed as a featured artist on the track.

What does the line 'Forever is the sweetest con' mean?

This line is open to interpretation. It could mean that the idea of 'forever' is the ultimate beautiful illusion that the two con artists have finally allowed themselves to believe in. Alternatively, it could suggest that their genuine, lasting love is the most rewarding and successful 'con' they have ever pulled off.

What genre is Taylor Swift's 'cowboy like me'?

The song is primarily described as an Americana and country ballad. It also incorporates elements of alternative, folk rock, country rock, and blues, featuring a mellow instrumentation of piano, guitar, and harmonica.

When was 'cowboy like me' released?

"cowboy like me" was released on December 11, 2020, as the eleventh track on Taylor Swift's ninth studio album, <i>Evermore</i>.

What do the 'skeletons in both our closets' represent in 'cowboy like me'?

The 'skeletons' symbolize the characters' troubled pasts and histories of deceit. It refers to the people they have swindled and the reputations they've built as hustlers, which threaten to undermine their new, authentic relationship.