Swang

"Swang" by Rae Sremmurd is a celebratory anthem of youthful excess, ambition, and the embrace of a flamboyant lifestyle. The central theme revolves around the concept of "swanging," which originates from Southern hip-hop culture and refers to driving ostentatiously. In the song, it serves as a broader metaphor for living life in a carefree, confident, and grand style. The lyrics paint a picture of opulence and hedonism, with repeated references to money ("Big bank take lil' bank") and partying ("Everyday, spillin' up drank"). However, beneath the surface of this bravado, there's a layer of existential awareness. The lines "Blow away, watch it blow away" and "When I die, can't take it to the grave" introduce a consciousness of mortality and the fleeting nature of material wealth. This juxtaposition suggests that the duo's indulgence in the present is partly fueled by the knowledge that they can't take their riches with them. The song also reflects on their journey from humble beginnings, contrasting a conventional life path with their choice to become 'ballers'. Ultimately, "Swang" is a braggadocious manifestation of the 'SremmLife' philosophy: living life to the fullest, celebrating success, and defining it on their own terms.

The song opens by introducing a group of young men who enjoy 'swanging,' a term rooted in Southern car culture referring to driving in a showy, ostentatious manner. This act of 'swanging' becomes a central metaphor for their entire lifestyle – one of uninhibited freedom, confidence, and a touch of recklessness. The narrative immediately establishes a theme of financial dominance with the line, 'Big bank take lil' bank,' a common hip-hop trope that underscores a competitive and successful mindset. Their daily life is depicted as a continuous party, marked by the casual spilling of 'drank,' a nod to the popular codeine-based beverage in Southern rap culture, further emphasizing a hedonistic and carefree existence.

The lyrics then delve into the consequences and the mindset behind this lavish lifestyle. A female admirer is so captivated that she's 'brave' enough to want the entire crew, highlighting their magnetic appeal. The power of their wealth is absolute; 'When the money talks, what is there to say?' suggests that financial success silences all doubt and argument. However, this bravado is undercut with a moment of existential awareness. The repeated phrase 'Blow away, watch it blow away' and the admission 'When I die, can't take it to the grave' reveal a poignant understanding of the impermanence of material wealth. This creates a compelling dichotomy: they live for the moment with extravagant abandon, precisely because they recognize that life and its luxuries are fleeting.

The song also touches on their origins and the choices that led them to this point. Swae Lee and Slim Jxmmi acknowledge their humble beginnings, mentioning 'young niggas from the bottom' who would 'do anything for a dollar.' This provides context for their current success, framing it as a deliberate choice over a more conventional path. The line, 'Coulda went to school to be a doctor, but I dropped out and chose to be a baller,' is a direct assertion of their decision to pursue their musical ambitions. This rebellion against traditional expectations is a core part of their identity. The recurring chant of 'SremmLife' serves as a brand and a philosophy, a declaration of their commitment to living life on their own terms, embracing a culture of celebration, rebellion, and unapologetic self-expression.

"Swang" was released on January 24, 2017, as the fourth single from Rae Sremmurd's second studio album, SremmLife 2. The album itself was released earlier, on August 12, 2016. The song was written by the members of Rae Sremmurd, brothers Aaquil "Slim Jxmmi" Brown and Khalif "Swae Lee" Brown, along with the song's producer, Pierre "P-Nazty" Slaughter. The track was recorded in 2016 at Sauce Studios and PatchWerk Recording Studios in Atlanta, Georgia. The mixing was handled by Finis "KY" White at Bass Recording Studios, also in Atlanta, and it was mastered by Dave Kutch at The Mastering Palace in New York City. An official remix featuring Travis Scott was released on October 16, 2016. The music video, directed by Max Hliva, premiered on February 16, 2017, and features the duo partying on a golf course.

The primary symbol in "Swang" is the act of "swanging" itself. Originating from Southern car culture, particularly in Houston, it literally means to drive a car in a showy manner, making wide, swinging turns. In the song, this is used as a metaphor for a lifestyle of youthful flamboyance, confidence, and rebellion against convention. The phrase "Big bank take lil' bank" is a recurring motif that symbolizes financial dominance and the competitive nature of their success. The act of spilling "drank" is symbolic of their hedonistic and carefree immersion in the party culture associated with hip-hop fame. A significant metaphor appears in the lines, "Blow away, watch it blow away / When I die can't take it to the grave." This imagery of money blowing away serves as a metaphor for the transient and ephemeral nature of wealth and life itself, adding a layer of philosophical reflection to the otherwise celebratory track.

The predominant emotional tone of "Swang" is one of carefree and confident celebration. It exudes a feeling of youthful exuberance, freedom, and the joy of living in the moment. This atmosphere is created through the combination of a laid-back, hazy beat, and the melodic, often high-pitched vocals of Swae Lee, which lend the track an almost dreamlike quality. However, the song is not purely one-dimensional in its emotion. There are undercurrents of a more contemplative and even slightly melancholic mood, particularly in the lyrics that acknowledge the fleeting nature of wealth and life. This creates a mixed emotional landscape where the joy of the present is heightened by an awareness of its impermanence. The overall feeling is one of defiant celebration in the face of this reality, an embrace of hedonism as a response to existential truths.

"Swang" was a significant commercial success for Rae Sremmurd, further cementing their status as major figures in the hip-hop scene of the 2010s. The song peaked at number 26 on the US Billboard Hot 100 chart and at number 13 on the Hot R&B/Hip-Hop Songs chart. It was certified multi-platinum by the RIAA, indicating its widespread popularity. The term "swang" itself, while having roots in Houston's rap scene, was popularized to a wider audience through this track. The music video, with its playful subversion of a typically exclusive setting like a golf course, also garnered significant attention and has amassed hundreds of millions of views. "Swang" is considered one of Rae Sremmurd's signature songs, alongside hits like "Black Beatles" and "No Type," and is a staple of their live performances. The song's themes and accessible party vibe have been noted for appealing to a broad demographic.

The rhyme scheme in "Swang" is relatively straightforward and follows a loose structure, which is typical of the trap genre, prioritizing flow and delivery over complex poetic forms. The rhythm is built around a relaxed, mid-tempo beat, with a BPM of around 104. The song's rhythmic foundation is a key element of its "swaying" feel. The interplay between the laid-back instrumental and the artists' vocal rhythms creates a hypnotic and immersive quality. Swae Lee's verses and the chorus often feature a melodic, sing-song delivery that glides over the beat, while Slim Jxmmi's verse has a more percussive and energetic rhythm. This contrast in vocal rhythms adds texture and dynamism to the track. The recurring hook's rhythm is simple and highly memorable, making it a central and catchy element of the song's structure.

"Swang" employs a blend of musical and literary techniques to create its signature sound. Musically, the song is rooted in the trap and cloud rap subgenres, characterized by a hazy, atmospheric P-Nazty production. Swae Lee's vocal delivery is a key feature, showcasing his distinctive high-pitched, melodic flow and harmonies which contrast with Slim Jxmmi's rougher, more grounded verses. The track is written in the key of G Phrygian, which gives it a unique, slightly melancholic yet relaxed feel. Lyrically, the song relies on repetition and a simple, infectious hook ("Know some young niggas like to swang") to create a memorable and catchy anthem. It utilizes slang and tropes common in Southern hip-hop, such as references to "drank" and "grippin' grain," to ground it in a specific cultural context. The narrative voice is one of youthful bravado and confidence, but it's tempered with moments of introspection, creating a dynamic and layered lyrical experience.

What does 'swang' mean in the Rae Sremmurd song?

In the song 'Swang,' the term 'swang' refers to a carefree and flamboyant lifestyle. It originates from Southern U.S. car culture, meaning to drive a car in an ostentatious way, but Rae Sremmurd uses it as a metaphor for living life with confidence and youthful extravagance.

When was 'Swang' by Rae Sremmurd released?

'Swang' was officially released as a single on January 24, 2017. It is featured on their album 'SremmLife 2,' which was released on August 12, 2016.

Who produced the song 'Swang'?

The song 'Swang' was produced by Pierre 'P-Nazty' Slaughter. Mike WiLL Made-It is also credited as a producer on some instrumental versions.

What is the meaning behind the lyrics 'When I die can't take it to the grave'?

This line reflects on the impermanence of material wealth. It signifies an awareness that despite their extravagant spending and focus on money, they understand that these riches are temporary and cannot be taken with them after death, which justifies living fully in the present.

What album is 'Swang' on?

'Swang' is a track on Rae Sremmurd's second studio album, titled 'SremmLife 2'. The song also appears on the deluxe version of the album.

What is the cultural significance of the term 'swang' in hip-hop?

The term 'swang' has its roots in the Houston hip-hop scene, associated with car culture and a laid-back, confident style. Artists like Trae tha Truth and Bun B used the term before Rae Sremmurd brought it to a mainstream global audience with their hit song.