making the bed

"making the bed" is a deeply introspective and melancholic ballad that explores themes of personal accountability, disillusionment with fame, and the consequences of one's own actions. The song's central message revolves around the idiom "You've made your bed, now lie in it," signifying that the singer, Olivia Rodrigo, is coming to terms with the fact that her current unhappiness and feelings of isolation are a direct result of her own choices. It’s a departure from blaming external forces, often seen in her earlier work, and a move towards mature self-reflection.

Lyrically, the song details Rodrigo's struggle with the pressures of superstardom after the immense success of her debut album, Sour. She touches on feelings of alienation, engaging in superficial relationships with "fair-weather friends," and pushing away those who genuinely know her. Lines like "I got the things I wanted / It's just not what I imagined" and "Another perfect moment that doesn't feel like mine" poignantly capture the emptiness that can accompany achieving one's dreams. The song is a raw confession of being complicit in her own misery, playing the victim in her head while knowing she is the one responsible for her discontent.

The narrative begins with a sense of weary repetition and self-sabotage. The singer recounts a series of actions driven by impulse—getting what she wants just because she can, engaging in activities that are no longer fun, and accumulating meaningless things. There's a pattern of forcing significance onto mundane moments and pretending to be more mature than she is, leading to a feeling of alienation from her own life's "perfect moments." This cycle of behavior fosters a growing sense of dread, turning once-enjoyable experiences into sources of anxiety. The core of her struggle is the realization that she is the architect of her own unhappiness.

This internal conflict is further explored through the metaphor of a recurring nightmare. In this dream, she's driving a car through a city, but the brakes fail. She's unable to stop at red lights or swerve to avoid danger, a powerful symbol for her feeling of powerlessness and a life spiraling out of control, despite being in the driver's seat. This anxiety bleeds into her waking life and relationships. She admits to using declarations of love as a distraction and feels that the affection she receives is superficial, comparing it to being a tourist attraction—something looked at but not truly known or understood. She feels her core identity being altered by external pressures and her own choices, and she's passively allowing it to happen.

The central theme crystallizes in the chorus, where she expresses a deep exhaustion with the person she has become. She's tired of playing the victim in her own mind when she knows, deep down, that she is responsible for her own predicament. The phrase "making the bed" encapsulates this idea of creating one's own uncomfortable situation and now having to lie in it. This acknowledgment is coupled with a desire to escape, to simply pull the sheets over her head and hide from the consequences. The song concludes with a poignant reflection on regret, not for bad things, but for the "beautiful things" she's acquired. This paradox highlights the disillusionment that comes with achieving her dreams, only to find that the reality is not what she imagined. The final repetition of "it's me who's been making the bed" serves as a final, somber admission of accountability.

"making the bed" was written by Olivia Rodrigo and her primary collaborator, producer Dan Nigro. The song is the sixth track on her sophomore album, GUTS, released on September 8, 2023. It was recorded at Amusement Studios in Los Angeles and Electric Lady Studios in New York City.

Rodrigo has described this track as one of the hardest to write for the album, as it required her to dredge up difficult feelings about how her life changed dramatically with fame. The inspiration came from a period of self-reflection at age 19 when she felt she was consistently placing herself in situations and with people that did not bring her genuine happiness. She and Nigro decided to create something more serious after working on several upbeat songs for the album, leading to the creation of this introspective ballad. The song was conceived in New York and reflects the album's broader theme of taking self-responsibility.

The song is built around several powerful symbols and metaphors that illustrate Rodrigo's internal state.

• Making the Bed: The central metaphor is the act of "making the bed," which is a direct reference to the idiom "You've made your bed, now lie in it." This symbolizes her taking responsibility for her own unhappiness and discomfort. She acknowledges that the difficult situation she finds herself in is one she constructed herself. The concluding lines, "Pull the sheets over my head," further this metaphor, representing a desire to hide from the consequences she has created.
• Recurring Dream of a Car Crash: Rodrigo describes a recurring dream where she's driving a car and the brakes go out, making her unable to stop. This dream serves as a potent metaphor for her life feeling out of control, despite her being the one in the driver's seat. It reflects her anxiety and powerlessness amidst her rapid rise to fame.
• Tourist Attraction: The line, "They tell me that they love me like I'm some tourist attraction," is a striking simile for how she perceives the love and attention she receives. It suggests that the affection is superficial, based on her public persona rather than her true self. People admire her from a distance, like a landmark, without genuine connection or understanding.

The predominant emotional tone of "making the bed" is one of deep melancholy, regret, and introspective sadness. The song creates an atmosphere of loneliness and disillusionment, as Rodrigo grapples with the hollow reality of her fame. This is established from the beginning through her hushed, vulnerable vocal delivery and the sparse piano accompaniment.

There is a significant emotional shift throughout the track. It begins with a quiet, weary resignation but builds to a powerful, almost desperate climax. This crescendo, marked by the addition of layered guitars and forceful percussion, reflects a swell of internal turmoil and frustration. However, the emotion is not anger directed at others, but rather a heavy feeling of self-blame and helplessness. The song captures the paradoxical feeling of being responsible for your own pain yet feeling powerless to stop it, as symbolized by the dream of the car crash. Ultimately, the emotional landscape is one of sober, mature accountability mixed with the profound sadness of regret.

Released as part of the highly anticipated album GUTS, "making the bed" was received by critics as a standout track showcasing Olivia Rodrigo's lyrical maturity and willingness to engage in self-critique. While not released as a single, the song achieved significant chart success due to the album's popularity, reaching the top 20 in the US, Australia, Canada, Ireland, and New Zealand.

The song has been praised for its unflinching honesty and introspective depth, marking a thematic growth from her debut album, Sour. It solidified Rodrigo's reputation as a songwriter capable of capturing the complex anxieties of young adulthood. Rodrigo has performed "making the bed" in several notable acoustic settings, including a Tiny Desk concert, at the Bluebird Café, and at the Grammy Museum, often just accompanying herself on piano, which highlights the song's raw emotional core. It was also included as a regular part of the setlist for her successful 2024 Guts World Tour, where the performance involves her lying on a platform, enhancing the song's central metaphor.

"making the bed" employs a relatively straightforward rhyme scheme in its verses, often following an AABB or ABCB pattern, which gives the lyrics a cohesive, song-like quality. For example, in the first verse, "done" rhymes with "fun," and "can" rhymes with "am." This simple structure makes the confessional lyrics accessible and direct.

The song's rhythm begins at a slow, deliberate tempo, characteristic of a ballad. This initial pacing allows the listener to absorb the weight of Rodrigo's introspective lyrics. As the song progresses, particularly into the chorus and bridge, the rhythmic intensity builds. The introduction of drums and layered instrumentation creates a more driving feel that mirrors the escalating anxiety and emotional climax of the narrative. The interplay between the gentle, almost spoken rhythm of the verses and the more powerful, swelling rhythm of the choruses creates a dynamic contrast that highlights the song's emotional journey from quiet resignation to overwhelming realization.

"making the bed" showcases a blend of literary and musical techniques that create its raw, emotional impact.

Literary Techniques:

• Metaphor and Idiom: The song's entire premise is built on the idiomatic phrase "making the bed," used to explore themes of self-accountability.
• Symbolism: The recurring dream of the car with failing brakes is a powerful symbol of a loss of control.
• Repetition: The repeated use of "Another" at the start of the song emphasizes a monotonous, dissatisfying cycle of events. The recurring phrase "But it's me who's been makin' the bed" drills home the central theme of responsibility.
• Introspective Narrative Voice: The song is delivered from a first-person perspective, creating a confessional and deeply personal tone that feels like reading a diary entry.

Musical Techniques:

• Dynamic Build: The song starts with a sparse, gentle arrangement, featuring piano and Rodrigo's hushed, almost whispered vocals. It gradually builds in intensity, escalating into what critics have called a "wall-of-sound anthem" with a "fury of guitars," synthesizers, and percussion, mirroring the rising internal turmoil of the lyrics.
• Vocal Delivery: Rodrigo's vocal performance is emotionally charged, described as "trembling with regret." Her restrained, understated delivery in the verses enhances the song's vulnerability and intimacy.
• Instrumentation: The use of piano provides a melancholic foundation, while the eventual introduction of electric guitars and driving percussion adds a layer of dream pop and rock influence, creating a rich sonic landscape that supports the song's emotional arc.

What is the meaning behind Olivia Rodrigo's song 'making the bed'?

The song uses the idiom 'you've made your bed, now lie in it' as a metaphor for taking responsibility for one's own actions and their consequences. It's an introspective track about Rodrigo's struggles with fame, loneliness, and the realization that she is the architect of her own unhappiness.

Who wrote 'making the bed' by Olivia Rodrigo?

Olivia Rodrigo co-wrote 'making the bed' with her frequent collaborator, producer Dan Nigro. Nigro also produced the track and the entirety of the 'GUTS' album.

What does the recurring dream in 'making the bed' symbolize?

The recurring dream of driving a car with failing brakes symbolizes a profound feeling of powerlessness and a lack of control over her own life, despite being in the 'driver's seat' of her career. It's a metaphor for the anxieties that accompany her rapid rise to fame.

When was 'making the bed' released?

The song was released on September 8, 2023, as the sixth track on Olivia Rodrigo's second studio album, 'GUTS'.

What genre is Olivia Rodrigo's 'making the bed'?

It is primarily a pop ballad with elements of dream pop and alternative pop. The song starts with a minimalist piano arrangement and builds into a more complex sound with guitars, synthesizers, and percussion.

What are 'fair-weather friends' as mentioned in the lyrics?

'Fair-weather friends' are people who are only friends during good times ('fair weather') but are not supportive or present during difficult times. In the song, it highlights Rodrigo's feelings of having superficial relationships since becoming famous.

Why was 'making the bed' a difficult song for Olivia Rodrigo to write?

Rodrigo has stated it was one of the hardest songs to write for 'GUTS' because it forced her to confront difficult feelings about how fame had changed her life and her own role in her unhappiness. It was a cathartic but challenging process of self-reflection.