OMG (feat. will.i.am)

USHER , will.i.am

An electrifying dance-pop track pulsates with euphoric energy, capturing the overwhelming rush of love at first sight in a vibrant club atmosphere.

Song Information

Release Date March 30, 2010
Duration 04:29
Album Raymond v Raymond (Expanded Edition)
Language EN
Popularity 82/100

Song Meaning

"OMG" by Usher, featuring will.i.am, is a straightforward, high-energy club anthem that celebrates the feeling of being instantly and overwhelmingly infatuated with someone. The lyrics revolve around the theme of love at first sight, experienced within the vibrant, sensory-filled environment of a nightclub. The song captures the moment of seeing a woman so captivating that the immediate reaction is one of pure astonishment, encapsulated by the titular phrase "Oh my gosh."

The lyrical content is not meant to be deep or complex; rather, it focuses on the surface-level, visceral reaction to physical attraction. Usher describes the woman's dancing and appearance in a way that is both admiring and almost comically simple (e.g., "Honey got a booty like pow, pow, pow / Honey got some boobies like wow, oh wow"), which emphasizes the raw, unfiltered nature of his attraction. This isn't a song about profound emotional connection but about the electrifying, instantaneous spark that one can feel. The repetitive chorus, where Usher offers to "love you down" in "so many ways," serves as a direct, flirtatious proposition born from this immediate fascination.

The song's title itself was a culturally savvy choice by songwriter will.i.am, tapping into the rising popularity of internet and texting slang in 2010. This made the song instantly relatable and memorable to a wide audience. The overall message is one of joyful, uninhibited celebration of attraction and the exhilarating feeling of finding someone who completely captivates you in an instant.

Lyrics Analysis

The song opens with will.i.am's signature exclamation, "Oh my gosh," setting a tone of surprised excitement before Usher takes over. The core narrative revolves around the overwhelming experience of seeing an incredibly attractive woman in a nightclub and being instantly smitten. Usher describes the moment he first lays eyes on her on the dance floor. Her dancing is captivatingly sexy, and he feels an immediate, powerful connection, something he's never experienced before, which he compares to the explosive force of dynamite. He's very direct in his admiration of her physical attributes, expressing his awe in a simple, almost stunned manner. This initial shock and infatuation are the foundation of the song's theme.

The chorus is a direct plea and a promise to this woman. Usher sings about wanting to "love her down" and insists he has numerous ways to do so, suggesting a deep and multifaceted affection beyond just the initial physical attraction. The repetition of "oh my gosh" throughout the chorus emphasizes his state of being utterly lovestruck and how finding her feels like a moment of destiny. This is further amplified by a background chant of "oh, oh, oh," which mimics a crowd's ecstatic roar, adding to the song's stadium-anthem feel and reflecting his internal excitement.

In the second verse, Usher's focus intensifies. He declares that out of all the women in the club, she is the only one for him. A single look was all it took for him to be completely "whipped." He continues to praise her, calling her a "supermodel" and comparing her beauty to a powerful drug, so captivating it could make a grown man cry. This hyperbole underscores the depth of his instant infatuation. Her entire being, from her style to her grace, has him completely mesmerized.

will.i.am's verse complements Usher's perspective. He reinforces the idea that this woman stands out from everyone else in the club. He describes her as "so fly" and expresses his own amazement at her presence, echoing Usher's sentiment of being completely taken by her. His contribution adds another layer of validation to the woman's incredible appeal, framing her as someone universally desirable. The track concludes with a return to the chorus, with Usher's exclamations of "Oh my gosh" fading out, leaving the listener with the lingering feeling of pure, unadulterated astonishment and the thrill of a new, powerful attraction.

History of Creation

"OMG" was written and produced by will.i.am of The Black Eyed Peas, marking his second collaboration with Usher after the 2008 track "What's Your Name". The song was created for Usher's sixth studio album, Raymond v. Raymond, released in 2010. At the time, Usher was at a career crossroads following the comparatively underwhelming performance of his 2008 album Here I Stand and was in need of a major hit to reassert his chart dominance.

will.i.am was tasked with creating an "international smash," a song with universal appeal similar to The Black Eyed Peas' own hit "I Gotta Feeling". The song was recorded at Chung King Studios in New York City. A distinctive element of the production is the crowd-chanting sample of "oh, oh, oh." will.i.am revealed that he was inspired by a crowd chant he heard after a Black Eyed Peas concert in France. He obtained an MP3 of the crowd noise from the show's host and incorporated it into the track to give it a stadium-like, energetic feel. The song was reportedly recorded while will.i.am was with The Black Eyed Peas for an appearance on the French TV show Taratata.

Released on March 22, 2010, "OMG" became the international lead single from the album and was a massive commercial success, helping Usher achieve significant career milestones.

Symbolism and Metaphors

While "OMG" is largely a direct and literal song, it employs some simple metaphors and imagery to convey the intensity of the speaker's feelings.

  • Dynamite: Usher compares his first encounter with the woman to "dynamite." This metaphor suggests that the attraction is not just strong but explosive, sudden, and powerful, fundamentally altering his state of being in an instant. It implies an immediate and impactful connection that is both exciting and a little dangerous.
  • Intoxication: The song uses the classic metaphor of love as an intoxicating substance. Usher feels "drunk off her humps," a line that, while direct, points to the disorienting and overwhelming power of his attraction. It suggests a loss of control and a feeling of being completely under her spell.
  • Whipping: The lyric "This one got me whipped, just off one look" uses the colloquialism "whipped" to describe his immediate devotion and submissiveness to his feelings for her. It's a hyperbolic expression of how completely she has captured his attention and affection from the very first moment.

These elements, while not deeply complex, effectively communicate the song's central theme of an all-consuming, instantaneous infatuation.

Emotional Background

The predominant emotional tone of "OMG" is one of euphoric excitement and flirtatious energy. The song is designed to capture the exhilarating rush of instant, powerful attraction. From the opening exclamation, the atmosphere is one of happy disbelief and overwhelming joy. This is not a song of deep, contemplative love but of a sudden, electrifying infatuation that is both thrilling and fun.

The emotional landscape is built through a combination of elements. The upbeat, driving dance-pop beat immediately establishes a high-energy, positive mood. Usher's vocal performance, while heavily processed with Auto-Tune, conveys a sense of breathlessness and urgency, mirroring the racing heart of someone who is lovestruck. The lyrics, with their simple and direct expressions of admiration ("wow, oh wow"), contribute to a feeling of unfiltered, almost boyish glee.

The anthemic crowd chant of "oh, oh, oh" is crucial in creating the song's celebratory and communal emotional feel, as if inviting everyone to share in this moment of collective euphoria. There are no significant emotional shifts; the song maintains its high-energy, joyful, and confident atmosphere from beginning to end, making it a pure and unapologetic club anthem.

Cultural Influence

"OMG" had a significant cultural impact upon its release in 2010, marking a major commercial comeback for Usher. The song peaked at number one on the Billboard Hot 100, becoming his ninth number-one single in the US. This achievement made him the first artist of the 2010s to have number-one singles in three consecutive decades (1990s, 2000s, and 2010s) and only the fourth artist ever to do so. It also made him the third artist, after Paul McCartney and Michael Jackson, to have a number-one song from five consecutive studio albums.

The song was a global smash, topping charts in countries like Australia, the UK, Ireland, and New Zealand. It was the fifth best-selling song of 2010 in the US, selling 3.8 million units that year and nearly 7 million copies worldwide. The song's title cleverly tapped into the zeitgeist of texting and internet slang, making it highly contemporary and memorable.

The music video, directed by Anthony Mandler, was also highly popular and was noted for its dance-heavy choreography, drawing comparisons to Usher's iconic video for "Yeah!". Usher performed the song at major events, including a critically acclaimed medley at the 2010 MTV Video Music Awards and during his halftime performance at the 2024 Super Bowl, solidifying its place as one of his signature hits. Despite a mixed critical reception, with many critiquing the use of Auto-Tune, the song's infectious club vibe was widely praised and has ensured its lasting legacy as a quintessential party anthem of the early 2010s.

Rhyme and Rhythm

The rhyme and rhythm of "OMG" are crafted to be simple, infectious, and perfectly suited for a dance track. The rhyme scheme is straightforward, primarily using couplets (AABB) which makes the lyrics easy to follow and sing along to. For example, in the first verse, "dance floor" rhymes with "dropping low," and "first sight" rhymes with "dynamite."

The rhythm is a driving force of the song. It is a midtempo dance track with a steady four-on-the-floor beat common in dance-pop. Usher's vocal delivery is highly rhythmic and often syncopated, playing with the beat to create a catchy, percussive effect. He delivers his lines in a staccato fashion that aligns with the minimalist, punchy dance beat.

The chorus features a powerful, rhythmic chant ("oh, oh, oh, oh, oh") which acts as a rhythmic hook. This chant has a Jock Jams-esque, sports arena quality that is both rhythmic and melodic, making it a central and memorable part of the song's structure. The interplay between Usher's syncopated verses and the steady, anthemic rhythm of the chorus creates a dynamic listening experience that is designed to make people dance.

Stylistic Techniques

"OMG" employs a variety of musical and literary techniques to create its high-energy, catchy club feel.

Musical Techniques:

  • Auto-Tune: The song makes prominent use of the Auto-Tune vocal effect on both Usher's and will.i.am's vocals, a popular trend in pop and R&B music at the time. This gives the vocals a robotic, synthesized quality that blends with the electronic production.
  • Sampling: will.i.am incorporated a sample of a crowd chanting from a Black Eyed Peas concert in France, which forms the anthemic "oh-oh-oh" hook in the chorus. This technique, reminiscent of Jock Jams, gives the song a live, stadium-like atmosphere.
  • Synth-heavy Production: The beat is built on layers of synthesizers, a minimalist dance beat, and a driving rhythm characteristic of the dance-pop and electropop genres of the era.
  • Vocal Delivery: Usher employs a staccato, rhythmic vocal delivery, particularly in the verses, which syncs up with the pulsating beat and enhances the track's danceable quality.

Literary Techniques:

  • Repetition: The song heavily relies on repetition, particularly the titular phrase "Oh my gosh" and the "oh, oh, oh" chant. This makes the song extremely catchy and memorable, reinforcing the central theme of astonishment.
  • Hyperbole: Lyrics like "make a grown man cry" are hyperbolic, used to exaggerate the profound effect the woman's beauty has on Usher, emphasizing the intensity of his infatuation.
  • Onomatopoeia: The use of words like "pow, pow, pow" and "wow, oh wow" to describe the woman's physique are examples of onomatopoeia, creating a vivid, almost cartoonish auditory image that reflects the simple, visceral nature of his attraction.

Emotions

excitement joy sensual love triumph

Frequently Asked Questions

What is the song 'OMG' by Usher about?

The song 'OMG' is about the overwhelming and exciting feeling of falling in love at first sight with a woman in a nightclub. The lyrics describe the instant, powerful attraction and astonishment he feels, encapsulated by the phrase 'Oh my gosh'.

Who wrote and produced Usher's song 'OMG'?

The song 'OMG' was written and produced by will.i.am, the frontman of The Black Eyed Peas. He is also the featured artist on the track.

When was 'OMG' by Usher released?

'OMG' was released on March 22, 2010, as the first international single from Usher's sixth studio album, 'Raymond v. Raymond'.

What genres does Usher's 'OMG' belong to?

'OMG' is primarily a dance-pop and electropop song. It also incorporates elements of R&B and synth-pop, creating a sound that was very popular in the early 2010s club scene.

What is the 'oh oh oh' chant in Usher's 'OMG' from?

The crowd chanting 'oh oh oh' is a sample that will.i.am recorded. He was inspired by the audience's chant after a Black Eyed Peas performance in France and decided to incorporate it into the song to create an anthemic, energetic feel.

How did Usher's 'OMG' perform on the charts?

'OMG' was a massive commercial success. It reached number one on the Billboard Hot 100 in the US, becoming Usher's ninth #1 hit. It also topped the charts in the UK, Australia, New Zealand, and Ireland.

Why was the use of Auto-Tune in 'OMG' criticized?

Critics were divided on the use of Auto-Tune in 'OMG'. While the song was praised for its danceable vibe, many critics felt the heavy vocal processing was unoriginal and detracted from Usher's natural singing ability, making his voice sound too mechanical.

Was Usher's 'OMG' accused of plagiarism?

There was online speculation that the song's hook was similar to a Christmas carol parody song sung by Homer Simpson in a 2003 episode of The Simpsons. However, this was never formally pursued and is largely considered a coincidence.

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