Another Brick in the Wall, Pt. 2

Pink Floyd

A driving, disco-inflected rock anthem of youthful defiance, building a powerful wall of sound against institutional oppression.

Song Information

Release Date November 30, 1979
Duration 03:58
Album The Wall
Language EN
Popularity 85/100

Song Meaning

"Another Brick in the Wall, Pt. 2" is a protest song that forms a central part of Pink Floyd's 1979 rock opera, The Wall. The album tells the story of Pink, a rock star who constructs a metaphorical wall around himself to cope with the traumas of his life. This particular song focuses on his oppressive and abusive school experiences. The lyrics are a direct critique of the rigid, creativity-stifling education system of the time, particularly as experienced by songwriter Roger Waters at the Cambridgeshire High School for Boys. He described it as a system where teachers used sarcasm and brute force to control students. The chant "We don't need no education, we don't need no thought control" is not a literal rejection of learning, but a satirical cry against an authoritarian educational model that prioritizes conformity over individuality and critical thinking. The "wall" is a symbol of emotional isolation, and the abusive teachers are another "brick" contributing to Pink's alienation. The song ultimately represents a rebellion against any oppressive authority that seeks to suppress individuality and enforce conformity.

Lyrics Analysis

The narrative voice, representing the character Pink, begins by directly addressing his educators. He proclaims a complete rejection of the current educational system, stating there is no need for it. This is immediately followed by a renunciation of thought control, identifying a core element of his opposition: the suppression of individuality and independent thinking. He points to the "dark sarcasm" prevalent in the classroom as a specific tool of this oppressive control. The plea, "Teacher, leave them kids alone!" acts as a powerful, collective demand for freedom from this mental subjugation.

The central, recurring refrain solidifies this sentiment into a powerful metaphor. Each negative experience, every instance of harsh discipline and soul-crushing conformity, is framed as just another component used to build a metaphorical wall of isolation around him. The experiences with his overbearing mother and the loss of his father in the war were the initial bricks, and the dehumanizing school system adds another layer to this barrier, separating him further from the world and his own emotions. The voice of a children's choir then joins, amplifying the initial message. Their collective, youthful voices singing the same words—"We don't need no education, we don't need no thought control"—transforms a personal complaint into a generational anthem. It suggests this is not an isolated experience but a shared struggle against an authoritarian system that seeks to mold children into uniform, compliant beings rather than nurturing their unique minds. The repetition of "All in all it's just another brick in the wall" underscores the cumulative effect of these traumas, each one a building block in the construction of Pink's emotional fortress, which he believes protects him but ultimately leaves him isolated and detached.

History of Creation

"Another Brick in the Wall, Pt. 2" was written by Pink Floyd's bassist and primary lyricist, Roger Waters, for the 1979 concept album The Wall. The song was inspired by Waters' own negative experiences with the British education system in the 1950s. Recording for the album took place between December 1978 and November 1979. The song's distinctive disco beat was a controversial but pivotal suggestion from producer Bob Ezrin, who wanted to make the track more commercially appealing. The band, particularly David Gilmour, was initially hesitant, but Ezrin convinced them by having them listen to disco music. While the band was away, Ezrin extended the track from its original single-verse length and, most famously, added a children's choir. He sent engineer Nick Griffiths to Islington Green School, located near Pink Floyd's Britannia Row Studios, to record a group of 23 students aged 13 to 15. The choir's vocals were then overdubbed multiple times to create the sound of a much larger group. Waters was initially against releasing singles but was won over when he heard the final mix with the disco beat and choir, recognizing its hit potential. The song was released as a single on November 23, 1979, and became the band's only number-one hit in the UK and the US.

Symbolism and Metaphors

The song is rich with symbolism, central to the narrative of The Wall album.

  • The Wall: The most important metaphor is the "wall" itself, representing the self-imposed barrier of emotional isolation the protagonist, Pink, builds around himself.
  • Bricks in the Wall: Each traumatic event in Pink's life—his father's death, his mother's overprotection, and his abusive schooling—is a "brick" that adds to this wall. The song explicitly identifies the teachers and their methods as "just another brick in the wall."
  • The Teacher: The teacher in the song symbolizes all oppressive authority figures, not just in education but in society at large, including the government. They represent a system that demands conformity and punishes individuality.
  • Dark Sarcasm: This phrase points to the specific type of psychological abuse used to control students, highlighting how mockery and belittlement are used to enforce discipline and crush spirits.
  • The Meat Grinder: In the 1982 film adaptation, this imagery is made explicit. Children march into a giant meat grinder and emerge as faceless, uniform clones, powerfully symbolizing the dehumanizing and homogenizing effect of the education system being critiqued.

Emotional Background

The predominant emotional tone of "Another Brick in the Wall, Pt. 2" is one of defiance, anger, and rebellious protest. This is established through the lyrics' direct confrontation with authority ("Hey! Teacher! Leave them kids alone!") and the blunt rejection of the educational system. The delivery of the vocals plays a crucial role; Roger Waters' lead vocal has a cynical, sneering quality, while the children's choir adds a layer of raw, youthful outrage that is both chilling and triumphant. Musically, the song's persistent, driving disco beat creates a sense of relentless momentum and tension, while David Gilmour's fiery guitar solo provides an explosive, cathartic release of frustration. The contrast between the dark, oppressive theme and the upbeat, almost danceable rhythm creates a complex emotional landscape, suggesting a celebration of rebellion in the face of grim circumstances. The overall atmosphere is not one of despair, but of empowered resistance.

Cultural Influence

"Another Brick in the Wall, Pt. 2" became a phenomenal global success, marking a peak in Pink Floyd's commercial popularity. It was their first single in the UK since 1968 and became the 1979 Christmas number one, also topping the charts in the US and 13 other countries. The song's rebellious message resonated worldwide, but also sparked controversy. It was denounced by education authorities and British Prime Minister Margaret Thatcher reportedly "hated it". Most significantly, the song was banned in South Africa in 1980 after it was adopted as a protest anthem by students during a nationwide school boycott against the racial inequalities of the apartheid system. This cemented its status as a global song of protest against oppression. The song won Waters a British Academy Award for Best Original Song for its use in the 1982 film adaptation, Pink Floyd – The Wall. It was nominated for a Grammy and ranked #384 on Rolling Stone's 2010 list of "The 500 Greatest Songs of All Time". The song has been covered by numerous artists, including a notable version by the nu-metal band Korn.

Rhyme and Rhythm

The song's rhythm is one of its most defining features. It is set in a 4/4 time signature at a tempo of approximately 104 beats per minute. The driving, four-on-the-floor drum beat, a direct influence from disco music, creates a relentless and hypnotic groove that propels the song forward. This steady rhythm gives the song an anthem-like, marching quality, particularly fitting for a protest song. The lyrical rhythm is simple and chant-like, making the chorus incredibly memorable and easy for a crowd to sing. The rhyme scheme is straightforward, primarily using couplets (AABB) within the verse, such as "control" rhyming with the slant rhyme "classroom." The simplicity of the rhyme and rhythm makes the message direct and impactful, allowing the lyrical content and the powerful musical arrangement to take center stage.

Stylistic Techniques

Musically, "Another Brick in the Wall, Pt. 2" is a unique fusion of styles. Producer Bob Ezrin famously introduced a steady 4/4 disco beat, which was a significant departure from Pink Floyd's progressive rock sound. This rhythmic foundation, combined with David Gilmour's funky, clean guitar rhythm, gives the song an unexpectedly danceable quality that contrasts with its dark lyrical themes. Gilmour also contributes an iconic and technically brilliant guitar solo, which provides a soaring, emotional release from the verse-chorus structure. Another key musical technique is the use of a real children's choir from Islington Green School. Their untrained, enthusiastic voices chanting the defiant chorus serve as a powerful counterpoint to Roger Waters' more cynical lead vocal, adding a layer of authentic youthful rebellion. The vocal melody itself is somewhat monotonous, reinforcing the theme of drudgery and oppression. The song is in the key of D minor, contributing to its somber mood. Lyrically, the use of the double negative "We don't need no education" is a deliberate grammatical choice that ironically reflects the very lack of nuanced thought the song protests against, while also functioning as a powerful, unpolished slogan of rebellion.

Emotions

anger tension triumph

Frequently Asked Questions

What is the meaning of Pink Floyd's 'Another Brick in the Wall, Pt. 2'?

It's a protest song against rigid and oppressive schooling. Written by Roger Waters, it reflects his own negative experiences and critiques an education system that he felt suppressed individuality and creativity in favor of conformity and 'thought control'.

Who were the children singing on 'Another Brick in the Wall'?

The choir consisted of 23 students, aged 13-15, from Islington Green School in London. Music teacher Alun Renshaw arranged the recording at the nearby Britannia Row Studios, and their vocals were overdubbed twelve times to sound like a larger group.

Why was 'Another Brick in the Wall' banned in South Africa?

The song was banned in 1980 because it was adopted as an anthem by students protesting the unequal and inferior education provided to Black citizens under the apartheid regime. The lyrics 'We don't need no education' became a rallying cry in nationwide school boycotts.

What album is 'Another Brick in the Wall, Pt. 2' from?

The song is from Pink Floyd's 1979 double album 'The Wall', an epic rock opera conceived by Roger Waters. 'Another Brick in the Wall' is a three-part composition, and Part 2 is the most famous segment and the album's lead single.

What does 'dark sarcasm in the classroom' refer to?

This line refers to the psychologically damaging teaching method of using cruel, mocking humor to control and belittle students. Roger Waters felt this was a key tool of oppression used by teachers during his schooling to enforce conformity.

Why does 'Another Brick in the Wall, Pt. 2' have a disco beat?

The disco beat was the idea of producer Bob Ezrin. He felt the song had hit potential but needed a catchy rhythm. Despite the band's initial reluctance, they agreed after Ezrin's persuasion, resulting in a unique fusion of rock and disco that became a global hit.

Were the children paid royalties for singing on the song?

Initially, the students were not paid royalties. The school received a lump sum of £1,000 and the children got concert tickets and albums. However, due to a change in copyright law and a subsequent campaign, the students became eligible for and started receiving royalties many years later.

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