Cowgirls

"Cowgirls" by Morgan Wallen, featuring ERNEST, is a modern country anthem that serves as a tribute to the fiercely independent and untamable spirit of a certain type of woman, metaphorically referred to as a 'cowgirl'. The song's core meaning is a celebration of this woman's freedom, even when it results in heartbreak for the narrator. It explores the dichotomy of being irresistibly drawn to someone who is inherently elusive and will never settle down. The lyrics paint a portrait of a woman who is a captivating mix of contradictions: she has a 'cold heart but she got a warm smile' and is described as 'a little bit angel, whole lotta outlaw'. This highlights her complexity and refusal to be categorized. The song doesn't just lament the pain of a transient love; it lionizes the cowgirl's wild nature. The overarching message is one of admiration and acceptance of this powerful, independent spirit, encapsulating the thrill and the inevitable sorrow of loving someone who cannot be tamed.

The song paints a vivid picture of a particular type of woman, the modern cowgirl, who is a captivating and untamable force of nature. She is described as having a wild, almost rebellious spirit, someone who can metaphorically 'set a field on fire' with her mere presence. There's an immediate sense of her dual nature; she possesses a 'warm smile' that draws you in, but it's paired with a 'cold heart,' signaling an emotional unavailability that makes her both alluring and dangerous. She is a blend of contradictions, described as 'a little bit angel, whole lotta outlaw.' This juxtaposition suggests a complex character who doesn't conform to simple labels.

The central theme revolves around the idea that these women are not meant to be possessed or tied down. The relationship they offer is intense and passionate, likened to a 'rodeo for one night' or being loved 'like a mustang,' but it is explicitly temporary. The narrator and his collaborator, ERNEST, acknowledge that falling for a cowgirl inevitably leads to heartbreak. She will captivate you completely, only to 'leave right after,' disappearing from your life and leaving you in what's described as a 'lonely ghost town world where the sun don't rise.' This imagery powerfully conveys the depth of the emptiness and sorrow left in her wake.

ERNEST's verse deepens this perspective, expressing a conflicted admiration. He admits, 'I hate that I love the way them kisses taste like whiskey,' capturing the addictive yet destructive nature of the romance. He describes how she can 'wake up, take on off, and not even miss me,' underscoring her profound independence and the pain this causes the one left behind. He compares these women to 'wild horses' and concludes that the only thing to do is 'let 'em run.' This isn't a lament so much as a respectful acceptance of her nature.

Ultimately, the song is a celebratory ode, a toast to these free-spirited women. The recurring refrain, 'Long live cowgirls,' acts as an anthem. Despite the almost certain heartbreak and the 'smoking gun' she leaves in your heart, there is no regret expressed, only a deep-seated admiration for their untamable essence. It's a recognition that their wildness is their defining, most beautiful quality, and any attempt to change or hold onto them would be a disservice to who they are. The song celebrates their freedom, passion, and the powerful, lasting impact they have on those who are briefly lucky enough to be part of their world.

"Cowgirls" is a song by American country singer Morgan Wallen featuring his friend and frequent collaborator, ERNEST (Ernest Keith Smith). It was released on March 3, 2023, as part of Wallen's third studio album, One Thing at a Time. The song was later serviced to country radio as the album's eighth single on April 15, 2024. The track was written by a team of prominent Nashville songwriters: ERNEST, Rocky Block, Ashley Gorley, James Maddocks, and Ryan Vojtesak (also known as Charlie Handsome). The production was handled by Joey Moi and Jacob Durrett. ERNEST recalled that he co-wrote the song and sent it to Wallen a few months later, thinking Wallen's voice would be perfect for it. The collaboration happened under a tight deadline; Wallen called ERNEST to sing a verse just hours before the album had to be submitted. ERNEST ran to the studio right after attending a No. 1 party for another song to record his part. James Maddocks, one of the co-writers, mentioned that he initially envisioned the track with a rap/hip-hop feel and that the collaboration evolved organically from that initial concept into the final country-infused hit. The album One Thing at a Time itself was described by Wallen as a representation of his life over the past few years, combining his musical influences of country, alternative, and hip-hop.

"Cowgirls" is rich with symbolism and metaphors that construct the archetype of the untamable woman.

• The Cowgirl: The central figure is a symbol of wild, untamed independence and freedom. She embodies the spirit of the American West's frontier culture—adventurous, self-reliant, and transient.
• Setting the Field on Fire: This metaphor, used in the opening line, symbolizes the cowgirl's passionate and exciting nature, suggesting she brings intense energy and disruption wherever she goes.
• Mustangs and Wild Horses: The comparison of cowgirls to mustangs and wild horses is a direct metaphor for their untamable spirit. It emphasizes that their nature is to be free and that any attempt to break or possess them is futile. The line 'Let 'em run' reinforces this idea of acceptance.
• Rodeo for One Night: This simile captures the nature of the relationship with the cowgirl—it's exhilarating, intense, and thrilling, but inherently temporary and dangerous, much like a rodeo ride.
• Lonely Ghost Town World: This powerful image describes the emotional landscape left behind after the cowgirl departs. It symbolizes profound emptiness, loneliness, and a world devoid of the light and life she brought.
• Smoking Gun: ERNEST's line about being left 'holding that smoking gun' is a metaphor for being the victim of her swift and decisive departure, likening the heartbreak to a sudden, impactful event, almost like a gunslinger leaving their mark.

The emotional atmosphere of "Cowgirls" is notably bittersweet and mixed. On one hand, there is a clear sense of longing and heartache. The lyrics describe being left in a 'lonely ghost town world' and having a 'heart broken,' conveying feelings of sadness and abandonment. ERNEST's verse, with the line 'I hate that I love the way them kisses taste like whiskey,' perfectly encapsulates this painful conflict. On the other hand, the predominant emotion is a celebratory admiration. The repeated, anthemic refrain 'Long live cowgirls' is delivered not with sorrow, but with a kind of joyful, respectful defiance. This creates a complex emotional landscape where the pain of loss is overshadowed by a genuine celebration of the cowgirl's wild and free spirit. The blend of a steady, modern beat with country instrumentation supports this duality, creating a feeling that is simultaneously melancholic and uplifting. The song ultimately frames the experience as a worthwhile emotional rollercoaster, choosing to celebrate the ride rather than mourn its end.

"Cowgirls" achieved significant commercial success and cultural impact, reinforcing Morgan Wallen's status as a dominant force in contemporary country music. The song was part of his record-breaking 2023 album One Thing at a Time, which itself had a massive cultural footprint, becoming the number one album of 2023 on the Billboard year-end chart. As a single, "Cowgirls" was a radio hit, reaching the No. 1 spot on both the Billboard Country Airplay and Mediabase Country Airplay charts in July 2024. This marked Wallen's 14th No. 1 hit and, significantly, the very first No. 1 single for ERNEST as a recording artist. In a rare chart feat, "Cowgirls" replaced another Wallen track ("I Had Some Help" with Post Malone) at the No. 1 position on the Billboard chart, making Wallen only the second artist in history to replace himself at the top spot, a distinction previously held by Tim McGraw since 2002. The song peaked at number 12 on the all-genre Billboard Hot 100 chart. The song's blend of country and hip-hop elements was noted by critics as representative of Wallen's experimental and genre-pushing sound. Its success further solidified the commercial viability of this hybrid style within mainstream country music.

The song "Cowgirls" is structured with a relatively straightforward rhyme scheme in its verses, often following an AABB or ABCB pattern, which is common in country music and provides a simple, memorable quality. The chorus maintains a consistent structure that emphasizes the central theme.

Musically, the song is set in common time with a straight rhythm, making it easy to follow. The tempo is a moderate 86 BPM. The rhythmic foundation is a key element of its crossover appeal, blending a country feel with a hip-hop-inspired programmed beat. This creates a steady, toe-tapping rhythm that is both laid-back and driving. The vocal delivery, particularly Morgan Wallen's staccato phrasing, interacts with this rhythm to create a percussive effect with the lyrics. ERNEST's slightly smoother, more connected vocal flow provides a subtle contrast. This interplay between the lyrical rhythm and the underlying programmed groove is a hallmark of the song's modern, genre-blending style, making it feel contemporary while still being rooted in country storytelling.

"Cowgirls" showcases a blend of literary and musical techniques that define its modern country sound.

Literary Techniques:

• Juxtaposition: The lyrics are built on contradictions to describe the cowgirl, such as 'cold heart but she got a warm smile' and 'a little bit angel, whole lotta outlaw'. This creates a complex, multi-dimensional character.
• Imagery: The song uses vivid, evocative imagery tied to the American West, like 'cuttin' across a pasture,' 'rodeo,' and 'lonely ghost town world,' to create a strong sense of atmosphere and place.
• Metaphor and Simile: The song relies heavily on metaphors (loving 'like a mustang') and similes to convey the woman's character and the nature of the relationship.
• Internal Rhyme: ERNEST's verse contains internal rhymes, such as in the line 'Leave this heart broken, holding that smoking gun,' which adds to the lyrical flow and musicality.

Musical Techniques:

• Genre Blending: The track is a prime example of Wallen's signature style, blending traditional country themes and vocals with hip-hop-influenced production, particularly the use of 808-style programmed beats.
• Instrumentation: The song features a mix of classic country instruments like acoustic guitar, mandolin, and electric guitar alongside modern elements like programming, keyboards, and synth pads.
• Vocal Delivery: The vocal styles of Wallen and ERNEST are a key feature. Wallen's delivery is noted as predominantly staccato, while ERNEST employs more tenuto (sustained) notes, creating a dynamic interplay between the two performances.
• Homophonic Texture: The song has a homophonic texture, where the melody is supported by a chordal harmony (Fm, D♭, A♭, E♭), which is typical for the genre and makes the song catchy and accessible.