R.I.C.O. (feat. Drake)

"R.I.C.O." is a song that delves into themes of wealth, loyalty, and the paranoia that accompanies a life of success intertwined with street credibility. The title itself is an acronym for the Racketeer Influenced and Corrupt Organizations Act, a U.S. federal law designed to prosecute individuals involved in organized crime. Drake and Meek Mill use this as a metaphor to describe the close-knit, powerful nature of their respective crews, suggesting their bond and influence are so strong they could be compared to a criminal organization. Drake's verse is a testament to his success and a defiant message to his critics, boasting about his wealth and work ethic while warning his crew to stay out of trouble. Meek Mill's verse contrasts his lavish lifestyle with his past struggles and his ongoing legal troubles, emphasizing loyalty to his crew by referencing Rich Porter, a notorious Harlem drug dealer known for his loyalty, as opposed to Rico, who became an informant. The song, therefore, is a complex tapestry of braggadocio, a celebration of success, and a cautionary tale about the dangers and scrutiny that come with it.

The song opens with Drake reflecting on his journey and success. He speaks of balancing his old life with his new one, filled with new women, and how he has surpassed all expectations, to the point where his accountant struggles to keep up with his earnings. He directly addresses those he feels he owes nothing to, asserting that payback is inevitable and that their time has passed. Drake emphasizes his relentless work ethic, contrasting it with the idleness of his detractors. He shouts out his OVO crew and other affiliations, suggesting their collective power is so formidable they could be targeted by a R.I.C.O. investigation. He advises caution during the summer to avoid legal trouble, mentioning his plan to make and share millions with his people. Drake then compares his crew to Tony Montana's, acquiring wealth and power. He asserts his dominance, referencing his Memphis roots and crowning himself the 'king of pop,' alluding to his success and creating his own 'Never-Never Land.' He questions how someone can hate him without ever having met him, a likely reference to media personality Charlamagne tha God.

Meek Mill takes over with a powerful verse, immediately establishing his presence. He acknowledges his precarious legal situation, being on probation, and steers clear of explicitly illegal topics. He boasts about his success by waking up next to his 'dream girl,' who is as wealthy as a Beatle, and flexing on the teachers who doubted him by spending their annual salary in a single day. He uses the metaphor of 'Jamaican hair' to describe how he has the game 'locked.' The verse is filled with imagery of street life, including 'choppers poppin'' and violence, questioning the necessity of such conflicts. He proudly represents his 'Chasers' crew and compares his neighborhood presence to the infamous Rich Porter, emphasizing loyalty over betrayal, unlike the informant Rico. He details his generosity, splitting his earnings with his crew, and reminisces about their shared come-up from nothing. The verse ends with a sense of paranoia, as he hears what sounds like informants recording him, creating a tense and suspenseful conclusion to the song, punctuated by the recurring threat of a R.I.C.O. charge.

"R.I.C.O." was released on June 29, 2015, as a track on Meek Mill's second studio album, Dreams Worth More Than Money. The song was produced by Vinylz, Allen Ritter, and Cubeatz. According to producer Allen Ritter, the beat was initially created by Vinylz and Cubeatz, and he later added a breakdown that was used as the outro. Interestingly, Ritter recalls hearing Drake on the beat first, suggesting the song may have originally been intended for Drake before becoming a Meek Mill track. The song is most famous for sparking the infamous beef between Meek Mill and Drake. On July 22, 2015, Meek Mill took to Twitter to accuse Drake of not writing his own verse on "R.I.C.O.", claiming that a rapper named Quentin Miller was his ghostwriter. This accusation stemmed from Meek's belief that Drake wasn't adequately promoting his album. The controversy quickly escalated, leading to a series of diss tracks from both sides, including Drake's "Charged Up" and "Back to Back," and Meek Mill's "Wanna Know". Quentin Miller, who is credited as a co-writer on the track, denied being a ghostwriter but admitted to collaborating with Drake. This public feud overshadowed the song itself and had a significant impact on both artists' careers and the hip-hop landscape at the time.

The central metaphor of "R.I.C.O." is the Racketeer Influenced and Corrupt Organizations Act itself. Drake and Meek Mill use this legal statute to symbolize the formidable and tightly-knit nature of their crews, suggesting their collective power and loyalty are akin to an organized crime syndicate. Drake's line, "OVO, East End, Reps Up / we might just get hit with the R.I.C.O.", encapsulates this idea, portraying their success and unity as something so powerful it attracts the attention of the law. Another significant lyrical reference is Meek Mill's comparison of himself to "Rich Porter" and his disavowal of being a "Rico." This refers to two figures from Harlem's drug trade in the 1980s; Rich Porter was known for his flamboyant lifestyle and loyalty, while Rico (presumably Alpo Martinez's associate Rico) became an informant. By aligning himself with Porter, Meek Mill emphasizes his commitment to his crew and his refusal to betray them, a core tenet of the street code he represents. Drake also employs a pop culture metaphor, calling himself the "king of pop" and mentioning building "Never-Never Land," a clear reference to Michael Jackson. This serves to elevate his status to that of a music icon. The song is laden with such imagery, using metaphors of wealth, power, and loyalty to paint a vivid picture of their world.

The predominant emotional tone of "R.I.C.O." is a mixture of defiance, confidence, and paranoia. The song exudes an air of invincibility, with both Drake and Meek Mill boasting about their success, wealth, and influence. This is evident in the braggadocious lyrics and the assertive vocal delivery. However, beneath this veneer of confidence lies a palpable sense of anxiety and suspicion. The recurring reference to the R.I.C.O. Act and Meek Mill's lines about being on probation and hearing informants create a paranoid atmosphere. This emotional complexity is mirrored in the production, which combines a hard-hitting beat with a somewhat somber and atmospheric melody. The song captures the duality of a life lived on the edge, where triumph and danger are constant companions. There isn't a significant emotional shift throughout the song; instead, the tension between confidence and paranoia is maintained, creating a consistently charged and engaging listening experience.

"R.I.C.O." is a culturally significant song primarily due to the infamous beef it ignited between Meek Mill and Drake, two of the biggest names in hip-hop at the time. The song's release and the subsequent ghostwriting accusations by Meek Mill dominated hip-hop conversations for months, leading to a highly publicized exchange of diss tracks that captivated audiences. Drake's response, particularly the song "Back to Back," was widely seen as a decisive victory in the feud and even earned a Grammy nomination. The controversy surrounding "R.I.C.O." brought the issue of ghostwriting in hip-hop to the forefront of mainstream discussion, raising questions about authenticity and artistic integrity in the genre. Despite the turmoil it caused, the song itself was a commercial success, being certified Platinum by the RIAA. It was a standout track on Meek Mill's album Dreams Worth More Than Money, which debuted at number one on the Billboard 200 chart. The feud was eventually squashed, and the two artists have since collaborated on other tracks, but "R.I.C.O." remains a landmark moment in their respective careers and a significant chapter in modern hip-hop history.

The rhyme scheme in "R.I.C.O." is predominantly characterized by couplets (AABB) and occasional multi-syllabic rhymes, which is a hallmark of modern hip-hop. Both Drake and Meek Mill employ a conversational flow that often prioritizes rhythmic delivery and internal rhymes over a strict, predictable end-rhyme pattern. For example, in Drake's verse, lines like "The girl of your dreams to me is probably not a challenge / I've been counted out so many times, I couldn't count it" demonstrate a loose AABB scheme. He also uses internal rhymes to enhance the lyrical complexity, such as in "My dad is from Memphis, and I am the king / I should probably just move in to Graceland." The rhythm is driven by the trap-influenced beat, which has a moderate tempo, allowing both rappers to deliver their lines with clarity and emphasis. The interplay between the lyrical rhythm and the musical rhythm is crucial; the rappers often start and end their phrases in sync with the beat's main rhythmic figures, creating a cohesive and impactful sound. The overall rhythmic feel is one of confident swagger and controlled aggression.

"R.I.C.O." employs several stylistic techniques to achieve its confident and menacing tone. Both Drake and Meek Mill utilize a braggadocious and confrontational vocal delivery, common in the trap and gangsta rap subgenres. The production by Vinylz, Allen Ritter, and Cubeatz features a dark, atmospheric beat with a prominent bassline and sparse melodic elements, creating a sense of tension and unease. Lyrically, the song is rich with allusions and metaphors, as discussed in the symbolism section. Drake employs direct address, speaking to his detractors with lines like, "To the people that think that I owe you shit / Payback's a bitch and you know that shit." Both artists make use of hyperbole to emphasize their wealth and success, such as Meek Mill's claim to "spend a day what you make a year." The song's structure follows a typical verse-verse format, allowing each artist to present their perspective without the interruption of a chorus, a common feature in collaborative tracks of this nature. The outro, with its sound of a recording device and whispers of informants, creates a cinematic and paranoid ending, leaving the listener with a sense of lingering danger.

What does R.I.C.O. stand for in the Meek Mill and Drake song?

R.I.C.O. stands for the Racketeer Influenced and Corrupt Organizations Act, a US federal law used to prosecute individuals involved in organized crime. In the song, it's used as a metaphor for the power and loyalty of their crews.

What is the beef between Meek Mill and Drake about?

The beef started when Meek Mill accused Drake of using a ghostwriter, Quentin Miller, for his verse on "R.I.C.O." after Drake allegedly didn't promote Meek's album. This led to a series of diss tracks between the two rappers.

Who is Quentin Miller and what is his connection to 'R.I.C.O.'?

Quentin Miller is an Atlanta-based rapper who was credited as a co-writer on "R.I.C.O.". Meek Mill alleged that Miller ghostwrote Drake's verse, which sparked the feud. Miller denied being a ghostwriter but acknowledged collaborating with Drake.

Who produced the song 'R.I.C.O.'?

The song was produced by a team of notable producers including Vinylz, Allen Ritter, and Cubeatz.

What album is 'R.I.C.O.' from?

'R.I.C.O.' is a track from Meek Mill's second studio album, 'Dreams Worth More Than Money', which was released in 2015.

What is the meaning of Meek Mill's 'Rich Porter' reference in 'R.I.C.O.'?

Meek Mill's line, "I was like a Rich Porter, no double-crossing on my peoples," refers to the 1980s Harlem drug dealer known for his loyalty. By referencing him, Meek emphasizes his own commitment to his crew.

Did 'R.I.C.O.' have a significant cultural impact?

Yes, the song had a major cultural impact primarily by starting the highly publicized beef between Meek Mill and Drake. This feud brought the topic of ghostwriting in hip-hop to the mainstream and resulted in several notable diss tracks.

How did the Drake and Meek Mill beef end?

The feud between Drake and Meek Mill officially ended after Meek Mill's release from prison in 2018. They have since collaborated on the song 'Going Bad' from Meek's album 'Championships'.