Don't Like.1

"Don't Like.1" is a remix that serves as an aggressive anthem of authenticity and a raw expression of grievances against disloyalty, inauthenticity, and betrayal. At its core, the song is a declaration of the personal and street-level codes of conduct that the artists abide by. The central theme, articulated in Chief Keef's brutally simple and repetitive hook, is a list of disliked archetypes: the 'fuck nigga' (a general term for a contemptible person), the 'snitch nigga' (an informant), the 'bitch nigga' (a weak or cowardly man), and the 'sneak disser' (someone who talks negatively behind one's back). This establishes a clear moral universe where loyalty and directness are paramount virtues, and any deviation is met with contempt.

Each featured artist expands on this core theme from their unique perspective. Pusha T tackles inauthenticity within the rap industry, contrasting his own 'real life' experiences with the 'make-believe' narratives of other artists. Kanye West elevates the theme to his level of celebrity, railing against two-faced people in the industry, media persecution, and the theft of his artistic sound. He equates his public crucifixion with that of historical figures, highlighting the pressures of fame. Big Sean and Jadakiss bring their own flavors of street bravado and paranoia, emphasizing loyalty and a constant state of readiness against perceived threats. The song, therefore, becomes a multi-faceted manifesto. On one level, it's a celebration of the Chicago drill scene, bringing its raw energy to a mainstream audience. On another, it's a G.O.O.D. Music posse cut where established artists co-sign a rising star and use the aggressive sonic landscape to vent their own frustrations, creating a powerful statement on the importance of being 'real' in a world they perceive as full of fakes.

The song is a powerful and aggressive declaration of dislikes and a raw portrayal of street life, authenticity, and the artists' perspectives on their environments and statuses. It opens with Pusha T's verse, which immediately sets a tone of contempt for inauthenticity in the rap game. He contrasts the fabricated narratives of other rappers with his own real-life experiences rooted in drug dealing, emphasizing his credibility and superior lyrical skill. He uses vivid imagery and boasts about his wealth and influence, asserting his dominance and disdain for those he considers 'fraud niggas' and 'clone-like' trendsetters.

The central hook, delivered by Chief Keef, is a simple yet incredibly effective and repetitive chant listing various types of people and behaviors he dislikes: 'fuck niggas,' 'snitch niggas,' 'bitch niggas,' and 'sneak dissers.' This raw, unfiltered expression of street code and loyalty becomes the song's central motif, a chorus of defiance against betrayal and phoniness. Kanye West's verse broadens the scope of 'dislikes' to his own experiences with fame and public scrutiny. He addresses two-faced individuals, artistic plagiarism ('they steal your whole sound'), and the relentless, often cruel, media attention that compares his struggles to the tragic fates of figures like Jesus Christ and Michael Jackson. He touches on personal relationships, his wealth, and gives shout-outs to fellow Chicago natives like Derrick Rose and Chief Keef himself, grounding his verse in his hometown identity while navigating his global celebrity status.

Chief Keef returns with a verse that doubles down on the street-oriented themes of the original song. His lyrics are a blunt and unapologetic depiction of his lifestyle, referencing drug use ('smoking on this dope'), casual relationships, brand loyalty (and disdain for fakes like 'fake Gucci'), and an overarching sense of living life on his own terms. His delivery is characterized by its raw energy and connection to the drill scene he pioneered.

Big Sean's verse continues the themes of paranoia and aggression, speaking from the perspective of someone constantly on guard. He details a life of high-class living juxtaposed with the constant threat of danger ('surrounded by these low-lifes'). His lyrics convey a sense of insanity and a refusal to be stagnant, boasting about his crew's loyalty and their readiness for violence ('I just hope you been prayin'—bang bang!'). Finally, Jadakiss closes the track with a veteran's perspective, his verse filled with gritty street wisdom. He talks about his crew's readiness, his disdain for weakness, and his commitment to the grind. His lines about 'a jean jacket with the sleeves cut' and prioritizing self-belief ('believe in ourselves when nobody else believed us') add a layer of seasoned bravado and resilience to the track, solidifying the song's overall message of aggressive self-assertion and a strict code of conduct.

"Don't Like.1" is the official G.O.O.D. Music remix of the breakout drill anthem "I Don't Like" by a then 16-year-old Chicago rapper, Chief Keef, featuring Lil Reese. The original track, produced by Young Chop, was released in March 2012 and quickly became a massive viral hit in Chicago and online, lauded for its raw energy and for popularizing the drill subgenre.

Kanye West, a fellow Chicago native, took notice of the song's immense buzz. He decided to remix it for his G.O.O.D. Music label's compilation album, Cruel Summer, which was released on September 14, 2012. The remix, titled "Don't Like.1," featured an all-star lineup of Kanye himself, G.O.O.D. Music artists Pusha T and Big Sean, and veteran rapper Jadakiss, alongside Chief Keef's original hook. Chief Keef was reportedly under house arrest when the remix was recorded.

The creation was not without controversy. The original producer, Young Chop, publicly expressed his displeasure, stating that Kanye West had altered his beat without consultation and that he only heard the final version when it was released to the public. Chop felt disrespected by the changes and the lack of communication, leading to a brief feud, though the matter was reportedly resolved later that year. The remix was officially released on May 1, 2012, months before the album, and served as a major catalyst, rocketing Chief Keef and the Chicago drill sound into the national spotlight.

While "Don't Like.1" is lyrically direct and less reliant on subtle metaphor than other Kanye West tracks, it employs powerful symbolism and cultural references to underscore its themes of authenticity, fame, and danger.

• Michael Jackson and Jesus Christ References: In his verse, Kanye raps, "The media crucify me like they did Christ / They want to find me not breathin' like they found Mike." This is a significant metaphor where he equates the intense media scrutiny and public criticism he faces with the ultimate persecution (crucifixion of Christ) and a tragic, high-profile death (Michael Jackson). It frames his struggles as monumental and historic, portraying himself as a misunderstood martyr of fame.
• Ric Flair: Pusha T's exclamation, "(Woo!) Ric Flair, nigga," is a cultural shorthand for extravagant bravado and excellence. Ric Flair, the flamboyant professional wrestler, is a symbol of confident, over-the-top success. By invoking his name, Pusha T aligns his own persona with this legacy of unapologetic greatness.
• Chicago as a Symbol: The repeated shout-outs to Chicago ("This Chicago, nigga!") and figures like Derrick Rose, King Louie, and L.E.P. Bogus Boys serve to ground the song in a specific, authentic place. Chicago here symbolizes a gritty, no-nonsense reality that contrasts with the perceived fakeness of the broader music industry. It represents the origins of the drill sound and the source of the artists' credibility.
• 'Soundbite': Kanye's line, "They steal your whole sound: that's a soundbite," is a clever play on words. A soundbite is a short clip of audio, but here he uses it to metaphorically describe the act of artistic theft, where others take a complex, original style and reduce it to a cheap, easily digestible copy. It symbolizes the dilution of creativity and authenticity.

The predominant emotional tone of "Don't Like.1" is one of raw, unfiltered aggression and defiant contempt. The entire composition is built on a foundation of menace, fueled by anger and paranoia. This emotional landscape is crafted through the synergy of its musical and lyrical elements.

The Young Chop-produced beat immediately establishes a dark, ominous atmosphere with its minor-key piano melody and heavy, looming 808 bass. This creates a sense of tension and impending conflict before a single word is spoken. Chief Keef's hook, delivered with a raw, almost nonchalant aggression, channels a deep-seated disdain for disloyalty and weakness. There's no complex emotional nuance; it's a blunt instrument of disapproval.

The featured verses each add a layer to this aggressive core. Pusha T's verse is cold and clinical, his anger simmering beneath a surface of confident bravado. Kanye West's verse introduces a more volatile, persecuted anger, lashing out at the media and fake industry peers. His delivery shifts from conversational to explosive, mirroring a sense of frustration and betrayal. Big Sean and Jadakiss contribute verses steeped in paranoia and street-level readiness, their tones conveying a constant state of alert and a willingness to meet threats with force. The collective emotion is not one of sadness or joy, but of a hardened, confrontational posture—a sonic embodiment of a war-cry against a world perceived as hostile and inauthentic.

The cultural impact of "Don't Like.1" was monumental, primarily in its role as the vehicle that launched the Chicago drill music scene into the global mainstream. Chief Keef's original song was already a viral sensation in Chicago, but Kanye West's G.O.O.D. Music remix acted as a massive co-sign, introducing the raw, gritty sound to a massive audience that was previously unfamiliar with it.

The song is frequently cited as a key moment in the popularization of drill music, a subgenre characterized by its dark, violent lyrical content and trap-influenced beats. This remix's success led to a major-label bidding war for Chief Keef, who ultimately signed with Interscope Records. It also shone a spotlight on other Chicago drill artists like Lil Reese, Lil Durk, and producer Young Chop, effectively putting an entire musical movement on the map.

The track appeared on the G.O.O.D. Music compilation album Cruel Summer, which, despite receiving mixed reviews, was a commercial success, debuting at number two on the Billboard 200. The original "I Don't Like" peaked at number 73 on the Billboard Hot 100, a significant achievement for a young, independent artist. The song's influence extended beyond music, with its raw music video style—often featuring large groups of young men in a house, brandishing weapons—being widely imitated and becoming a visual trope in street rap. The simplistic, repetitive, and anthemic nature of the hook made it incredibly catchy and it became a cultural touchstone of the early 2010s, solidifying drill's place as one of the most significant new subgenres in hip-hop for the decade to come.

The rhyme and rhythm of "Don't Like.1" are foundational to its aggressive and hypnotic appeal, blending the raw, off-kilter energy of drill with more traditional hip-hop cadences.

Rhyme Scheme: The song predominantly uses a free verse structure within its verses, relying heavily on couplets and internal rhymes rather than a strict, consistent end-rhyme scheme. For example, in Kanye's verse, he rhymes "like" with "soundbite," and then "Christ" with "Mike," followed by "spite" and "life." This AABB structure within short segments makes the verse feel punchy and direct. The hook is built on simple repetition, where the rhyme is secondary to the rhythmic chant of "that's that shit I don't like." The artists use a mix of perfect rhymes (e.g., life/spite) and slant rhymes to maintain a natural, conversational yet hard-hitting flow.

Rhythm and Meter: The song's rhythm is driven by the menacing, mid-tempo drill beat produced by Young Chop. The instrumental provides a sparse but heavy foundation with its characteristic 808s, snares, and hi-hats, creating a sense of tension. The lyrical rhythm often plays against the musical rhythm. Chief Keef's flow is famously relaxed and slightly behind the beat, a key characteristic of the drill style that gives it a swaggering, almost lazy menace. In contrast, Pusha T and Jadakiss employ more intricate, multi-syllabic flows that ride the beat with precision, showcasing their technical proficiency. Kanye's and Big Sean's rhythms are dynamic, shifting in pace and intensity to match the emotional arc of their verses. This rhythmic interplay between the raw, unpolished flow of the song's originator and the more refined cadences of the established features is a key element of the remix's power and texture.

"Don't Like.1" is a masterclass in the stylistic techniques of drill music, amplified by the varied lyrical approaches of its featured artists.

Literary Techniques:

• Anaphora and Repetition: The song's structure is built on the relentless repetition of the phrase "that's that shit I don't like." This anaphora in the hook creates a powerful, chant-like effect that is both memorable and menacing, drilling the song's central theme into the listener's mind.
• Allusion: The verses are packed with allusions to pop culture (Ric Flair, Mekhi Phifer), religious figures (Jesus Christ), and contemporary Chicago icons (Derrick Rose). These references serve as cultural touchstones that enrich the lyrical content and create a sense of shared knowledge with the audience.
• Juxtaposition: Kanye West's verse juxtaposes high and low culture, mentioning his "Rose gold Jesus piece" and eating "vegetarian with the brown rice" in a verse that also references street violence and media persecution. This highlights the complex and often contradictory nature of his celebrity life.

Musical Techniques:

• Drill Production: The beat, originally by Young Chop, is characteristic of the drill genre, featuring ominous piano and synth melodies over hard-hitting, trap-influenced 808 drum patterns. The tempo is typically around 130-140 BPM, creating a tense and aggressive energy.
• Vocal Delivery: There is a distinct contrast in vocal styles. Chief Keef's delivery is raw, slightly off-kilter, and melodic in a mumbled, auto-tuned fashion, which became a hallmark of the drill sound. This is contrasted with the more precise and technically intricate flows of Pusha T, Kanye West, and Jadakiss, who adapt their veteran cadences to the menacing production.
• Ad-libs: The track is punctuated by aggressive and energetic ad-libs, such as Pusha T's "Woo!" and the signature "bang bang" associated with Chief Keef's crew. These ad-libs function as another layer of rhythm and texture, enhancing the song's confrontational atmosphere.

What is the song 'Don't Like.1' by Kanye West about?

It's a remix of Chief Keef's drill anthem 'I Don't Like.' The song is a raw, aggressive declaration against inauthenticity, disloyalty, and betrayal. The hook lists types of people the artists dislike, like 'snitches' and 'sneak dissers,' while the verses expand on themes of street credibility, media scrutiny, and staying true to oneself.

Who is featured on Kanye West's 'Don't Like.1'?

The song features a lineup of prominent rappers. Besides Kanye West and the original artist, Chief Keef, it includes verses from Pusha T, Big Sean, and Jadakiss. It was released as part of the G.O.O.D. Music compilation album, 'Cruel Summer'.

What does 'sneak disser' mean in the song 'Don't Like'?

A 'sneak disser' is a person who talks negatively or disrespectfully about someone behind their back instead of confronting them directly. The song's hook lists this as one of the primary types of people the artists hold in contempt, emphasizing a code of directness and loyalty.

Why was the 'Don't Like' remix so influential?

The remix was hugely influential because it took a raw, regional sound—Chicago drill—and introduced it to a mainstream global audience. Kanye West's co-sign legitimized Chief Keef and the drill movement, impacting the sound and lyrical content of hip-hop for the next decade.

What is the meaning of Kanye West's line comparing himself to Christ and Mike?

In the line, 'The media crucify me like they did Christ / They want to find me not breathin' like they found Mike,' Kanye is using a metaphor to describe the intense and often negative media scrutiny he faces. He compares it to the ultimate persecution (Jesus Christ's crucifixion) and the tragic death of a superstar (Michael Jackson) to convey the immense pressure and hostility he feels from the public eye.

Who produced the 'Don't Like' remix?

The original beat was produced by Young Chop. For the remix on G.O.O.D. Music's 'Cruel Summer,' Kanye West, The Twilite Tone, and Noah Goldstein are also credited as producers, as they added new elements and rearranged the original instrumental.