Blue Strips

"Blue Strips" by Jessie Murph is a powerful anthem of revenge, empowerment, and reclaiming control after a painful breakup and betrayal. The song's core meaning revolves around using newfound success and financial independence as a tool for retribution against an ex-partner. The title itself, "Blue Strips," is a direct reference to the blue security strips on U.S. hundred-dollar bills, symbolizing wealth and power. Murph weaponizes this wealth not out of simple anger—as she repeatedly claims, "Boy, I ain't mad"—but as a calculated method to "get back" at someone who wronged her. The narrative shows her moving on, not just by finding a new partner, but by dramatically upgrading her lifestyle, exemplified by the "new damn mansion in Malibu." This act of flaunting her success is a direct counter-narrative to the pain of the past, transforming her from a victim into a victor who is not just surviving but thriving. The song's message is one of turning emotional wounds into motivation, using success as the ultimate form of revenge.

The narrative begins with a bold declaration of newfound independence and success, a direct message to a former lover. The protagonist announces the purchase of a mansion in Malibu, not just as a symbol of wealth, but as a testament to her elevated status and a clear sign that she is thriving after their separation. This act is coupled with an assertion of her assertive personality, reminding her ex of her inherent strength and attitude.

The central theme of revenge is vividly illustrated through a scene set in a strip club. Here, the protagonist is in a position of power, flaunting her financial success by throwing "blue strips"—a slang term for hundred-dollar bills. This act is a calculated display of dominance. The scene takes a more personal and pointed turn as she specifically throws one-dollar bills at her ex-partner's new girlfriend, who is implied to be one of the dancers. This is a deliberate act of disrespect, highlighting the stark contrast in their positions and rubbing her success in their faces. She acknowledges that her ex is aware of her actions and what they signify.

Despite the aggressive and confrontational actions, the chorus maintains a mantra of denial: "Boy, I ain't mad." This repeated phrase suggests a complex emotional state. It's not about raw, uncontrolled anger, but a more calculated, cold form of retribution. She insists the goal isn't born from anger but a need to "get back" at him, to settle the score for the wrongs she endured. The acquisition of a new man and the Malibu mansion are presented as key components of this revenge, symbolizing a complete life upgrade.

The story continues with imagery of a more introspective but still defiant mood. The protagonist is seen smoking cigarettes on balconies, a moment of contemplation. She clarifies she has no intention of self-harm ("I ain't jumping") but possesses a fierce desire to settle old scores. News of her ex's life still reaches her, and she warns that a conflict is brewing, one he is not prepared for. This reinforces the idea that her quest for payback is far from over.

The narrative concludes by circling back to the strip club imagery and the promise of taking her revenge to a more intimate level. She states her intention to go home to her new partner and "strip down all your wrongs." This line serves a dual purpose: it's a literal act of intimacy with her new man, but also a powerful metaphor for shedding the emotional weight and damage caused by her previous relationship. By reclaiming her body and her narrative, she completes her act of empowerment, turning her pain into a public and private victory.

"Blue Strips" was released on April 11, 2025, as a single from Jessie Murph's upcoming second studio album, "Sex Hysteria". In an interview, Murph revealed the song was created remarkably quickly, in about 10 to 15 minutes at the end of a long 12-hour studio session. She described having a burst of energy, and when the beat played, the lyrics and melody came out almost instantly. The line "I just bought a mansion in Malibu" was the first thing that came out of her mouth, which she described as an act of manifestation. The song was co-written by Jessie Murph, Daniel Tannenbaum (Bekon), Laura Veltz, Sergiu Gherman, and Tyler Reese (credited as Tyler Mehlenbacher). The production was handled by Bekon, known for his work with artists like Kendrick Lamar, alongside his production duo The Donuts (Sergiu Gherman and Tyler Reese). The song quickly gained viral traction, particularly on TikTok. A remix featuring American rapper Sexyy Red was released on May 23, 2025.

The song is rich with symbolism and metaphors that underscore its themes of revenge and empowerment.

• Blue Strips: The most prominent symbol, "blue strips," refers to the blue security ribbon on $100 bills. It represents not just money, but power, success, and the ultimate tool for her revenge. Throwing them is an act of flaunting her victory and financial superiority over her ex.
• Mansion in Malibu: The mansion is a powerful symbol of her upgraded life and independence. Malibu is associated with celebrity and luxury, so buying a house there signifies she has reached a new level of success, leaving her past life and ex far behind. Murph herself called the line an act of "manifesting."
• Strip Club: The setting of the strip club serves as the stage for her revenge. It's a place where power dynamics are often tied to money. By throwing hundreds at one dancer and only "ones at your bitch," she deliberately establishes a hierarchy, devaluing her ex's new partner and asserting her own dominance.
• Stripping Down: The line "I'ma strip down all your wrongs" is a clever double entendre. On one level, it refers to a physical, intimate act with her new partner. Metaphorically, it signifies shedding the emotional baggage, pain, and injustices of her past relationship, cleansing herself of the negativity her ex inflicted.

The emotional atmosphere of "Blue Strips" is a complex mixture of defiance, anger, empowerment, and cold confidence. While the lyrics repeatedly state, "Boy, I ain't mad," the underlying tone is one of hostility and a deep-seated need for revenge. This creates a fascinating tension; the song is not a portrait of sadness or heartbreak, but of the hardened, vengeful feelings that come after the pain has subsided. The emotional landscape is built through the contrast between the vulnerable, stripped-back piano intro and the sudden drop into an aggressive, bass-heavy trap beat. This shift mirrors the narrator's emotional transformation from hurt to empowered. Jessie Murph's raw, gritty vocal delivery infuses the track with authenticity and a sense of world-weariness, suggesting the scars from the past are real but are now being used as fuel. Ultimately, the predominant emotion is a kind of triumphant, albeit chilly, satisfaction in turning pain into power and success.

"Blue Strips" became a massive global breakout hit for Jessie Murph, marking a significant moment in her career. Upon its release in April 2025, the song surged in popularity, largely propelled by its viral spread on TikTok, where its defiant themes and catchy hook resonated with users. It became her highest-charting single on the Billboard Hot 100, peaking at number 15, and also performed strongly internationally, reaching the top 20 in Australia. The song solidified Murph's reputation as a genre-defying artist who successfully blends elements of pop, trap, and country. Its success led to a high-profile remix with rapper Sexyy Red, further expanding its cultural reach. The track also cemented Murph's status as an exciting new voice in music, earning her a 2025 ACM nomination for New Female Artist and positioning her as a headliner for a worldwide tour. Critically, the song is seen as an anthem of female empowerment and revenge for a new generation.

The song's rhythmic and rhyming structure is crafted to be catchy and impactful, driving its defiant message home. The primary structure relies on simple, direct rhymes that make the lyrics memorable and punchy, often following an AABB or ABCB pattern within verses. For example, in the first verse, "Malibu" rhymes with "attitude." The pre-chorus uses near rhymes like "strips" and "bitch." The rhythm is dominated by a modern trap beat, characterized by rapid hi-hats and a heavy, distorted bassline that provides a confident, aggressive swagger. This contrasts with Jessie Murph's vocal rhythm, which often has a more relaxed, country-style cadence. This interplay between the sharp, electronic rhythm and her fluid, twangy vocal delivery is a key element of the song's genre-bending appeal. The tempo is steady and mid-paced, creating a feeling of a confident, unhurried strut. The repetition in the chorus creates a hypnotic, mantra-like effect, reinforcing the song's central theme of revenge.

"Blue Strips" showcases Jessie Murph's signature genre-blending style, merging musical and literary techniques for a potent effect.

• Musical Fusion: The track is a hybrid of country, pop, and trap. It opens with a vulnerable piano before dropping into a bass-heavy, trap-inspired beat with "tinny 808 drumbeats." This contrast mirrors the lyrical shift from feigned indifference to aggressive confidence.
• Vocal Delivery: Murph's distinctive vocal style is central to the song's identity. Her raspy, country-inflected twang provides a raw, emotional grit that cuts through the polished pop-trap production. Her delivery is both confrontational and mockingly nonchalant, especially in the chorus.
• Narrative Voice: The song is told from a first-person perspective that is both boastful and defiant. The direct address to her ex ("Boy, I ain't mad at you") creates an intimate yet confrontational tone, as if she's speaking directly to him.
• Repetition and Hook: The repeated phrase "Boy, I ain't mad" and the chorus "I had to get back at you" serve as a powerful, anthemic hook. The repetition drills the song's central message of calculated revenge into the listener's mind.
• Manifestation as a Lyric: Murph has stated that the opening line, "I just bought a mansion in Malibu," was something she said as a form of manifestation, adding a layer of personal ambition to the song's narrative.

What is the meaning of the song 'Blue Strips' by Jessie Murph?

The song 'Blue Strips' is about getting revenge on an ex-partner through success and empowerment. The 'blue strips' refer to hundred-dollar bills, which she uses to flaunt her newfound wealth and independence as a way of getting back at him for his mistreatment.

What do 'blue strips' refer to in Jessie Murph's song?

'Blue strips' is a slang term for the blue 3-D security ribbons found on modern U.S. hundred-dollar bills. In the song, they symbolize wealth, power, and are used as a tool for revenge against a former lover.

When was 'Blue Strips' by Jessie Murph released?

Jessie Murph's song 'Blue Strips' was released on April 11, 2025. It is a single from her upcoming second studio album, 'Sex Hysteria'.

What musical genre is 'Blue Strips'?

"Blue Strips" is a genre-bending track that fuses Pop and Trap with elements of Country. Jessie Murph's country-inflected vocals are layered over a modern trap beat, creating a unique sound that defies easy categorization.

Who wrote the song 'Blue Strips'?

The song was co-written by Jessie Murph, Bekon (Daniel Tannenbaum), Laura Veltz, Sergiu Gherman, and Tyler Reese (Tyler Mehlenbacher). Bekon also produced the track.

In 'Blue Strips', why does she throw 'ones at your bitch'?

This lyric implies her ex's new partner is a dancer at the strip club. By throwing $100 bills ('blue strips') at other dancers but only single dollar bills at her, she is deliberately showing disrespect and highlighting her own superior financial and social status as an act of revenge.

Is Jessie Murph really not mad in the song 'Blue Strips'?

The repeated line 'Boy, I ain't mad' is likely ironic. Her actions—buying a mansion, going to a strip club to taunt her ex's new girl—are fueled by a desire for revenge, suggesting she is indeed angry but is channeling it into a cold, calculated display of power rather than an emotional outburst.