Mary On A Cross

The meaning of Ghost's "Mary On A Cross" is deliberately multilayered and ambiguous, allowing for various interpretations. Officially, frontman Tobias Forge has stated the song is primarily about friendship and how relationships can change over time. He suggests it’s about two people who were once very close and significant to each other but eventually drifted apart.

A significant layer of meaning revolves around the controversial chorus, "You go down just like Holy Mary, Mary on a cross." Forge has explained that "go down" can mean "go down in history" rather than a purely sexual connotation. He also clarified that the "Mary" in question is not necessarily the Virgin Mary but could be a reference to Mary Magdalene, who he describes as a "proclaimed whore" who was miscredited, symbolizing someone who appears to be one thing but is actually another. This ties into the theme of misunderstood intentions and friendship.

Many listeners interpret the song through a romantic or sexual lens, pointing to lyrics like "If you choose to run away with me, I will tickle you internally." Another popular fan theory is that the song is about marijuana, with "Mary on a" sounding like "marijuana" and the phrase "riding high." Some fans also connect the song to the band's own lore, suggesting it describes the relationship between the characters Papa Nihil and Sister Imperator. There are also interpretations that see the song as a commentary on Tobias Forge's own experiences with former bandmates and a subsequent lawsuit, where he felt unfairly "crucified" in the public eye.

Ultimately, the song's meaning is a blend of these interpretations, using provocative religious and sexual imagery as a vehicle to explore themes of loyalty, rebellion, nostalgia, and the complexities of human relationships. The ambiguity is intentional, a hallmark of Ghost's songwriting style.

The song narrates a journey of a close-knit pair, possibly friends or lovers, who have navigated a tumultuous path together. They pursued stardom and a fast-paced life, symbolized by speeding down dark avenues, but found that fame brought them more sorrow and emptiness (“blues”) than fulfillment. Despite these hardships, their bond remained strong, and they found exhilarating moments of joy (“riding high”) in their shared experience. The narrator expresses an unwavering loyalty, promising never to let their companion go.

The central and most provocative part of the narrative is the comparison of this companion to “Holy Mary on a cross.” This complex imagery suggests a person who is both revered and sacrificed, pure yet misunderstood. The line “You go down just like Holy Mary” is intentionally ambiguous, playing with both sexual innuendo and the idea of going down in history. The narrator dismisses any comparison to a common “Bloody Mary,” indicating that their companion is unique and significant.

An offer is made to run away together, promising a deep, intimate connection described as being “tickled internally,” a phrase that again blends the physical and the emotional. The narrator sees no issue with this unconventional and profound bond, reinforcing a theme of rebellion against societal norms and judgments. The story conveyed is one of a deep, multifaceted relationship that defies easy categorization, set against a backdrop of ambition, disillusionment, and unwavering mutual support. It’s a tale of finding sanctity in a bond that others might deem profane or unconventional, a relationship that is a source of both pain and ecstatic freedom.

"Mary On A Cross" was released on September 13, 2019, as the B-side to the single "Kiss the Go-Goat." Both tracks were part of the EP titled Seven Inches of Satanic Panic. The song was written by Ghost's frontman, Tobias Forge, in collaboration with Swedish songwriters and producers Salem Al Fakir and Vincent Pontare, who operate as the duo Vargas & Lagola. This team had previously worked with Forge on tracks for Ghost's 2018 album Prequelle.

Within the fictional lore of the band, the songs on Seven Inches of Satanic Panic are presented as remastered tracks from 1969, created by an earlier incarnation of Ghost fronted by a character named Papa Nihil. The official music video for "Mary On A Cross," released later, leans into this backstory, presenting itself as grainy, Super 8 footage from a 1969 performance at the Whisky a Go Go in Los Angeles.

Despite being a B-side, the song became a fixture in Ghost's live performances. However, its popularity exploded in the summer of 2022 after a slowed-down version of the song went viral on TikTok. A user created a video montage of the show Stranger Things using the track, which led to a massive surge in its use on the platform. This viral success propelled "Mary On A Cross" onto the Billboard Hot 100 chart, a first for the band. The newfound popularity was a surprise to the band and their label, with Forge admitting his own daughter first made him aware of the trend. In response to its viral fame, Ghost released an official "slowed + reverb" version of the song.

"Mary On A Cross" is rich with symbolism and metaphors that create its layered meaning.

• Mary on a Cross: The central and most potent symbol is the figure of "Mary on a cross." This image is a deliberate and provocative blend of sacred and profane imagery. It is not a direct reference to the crucifixion of Jesus's mother but rather a multifaceted symbol. Tobias Forge suggests it could allude to Mary Magdalene, who was historically mislabeled as a prostitute, thus representing someone who is misunderstood or miscredited. This figure symbolizes a person who is both revered and vilified, enduring a form of martyrdom or suffering due to societal judgment.
• "Go Down": The phrase "You go down just like Holy Mary" is a key lyrical ambiguity. On one level, it carries clear sexual connotations. However, Forge has stated it can also be interpreted as "to go down in history," suggesting a lasting legacy or significance. This duality allows the song to function as both a love/lust song and a reflection on a significant, historical relationship.
• Bloody Mary vs. Holy Mary: The line "Not just another Bloody Mary" contrasts the song's subject with the common cocktail, signifying that this person is unique and not just another fleeting experience. It elevates the subject to the status of "Holy Mary," emphasizing their special, almost sacred, importance to the narrator.
• Riding High & Dark Avenues: The lyrics "We were speeding together down the dark avenues" and "through all of that sorrow, we were riding high" use the metaphor of a journey to describe a shared past. "Dark avenues" suggests a reckless, perhaps dangerous, lifestyle in pursuit of fame ("stardom"), which ultimately led to "the blues." In contrast, "riding high" symbolizes the exhilarating and joyful moments they shared despite the struggles, which can be interpreted as either emotional highs or a reference to drug use.
• "Tickle You Internally": This phrase is another example of provocative ambiguity. It strongly implies sexual intimacy but can also be seen as a metaphor for a deep, emotional, and spiritual connection that touches a person on a profound level, beyond the physical.

The emotional atmosphere of "Mary On A Cross" is predominantly a blend of nostalgic longing and a sense of bittersweet rebellion. It evokes a feeling of looking back on a significant, intense relationship from the past with a mixture of fondness and sadness.

This emotional landscape is crafted through several key elements. The 1960s-style psychedelic organ provides an instant layer of nostalgia, creating a sound that feels both warm and slightly dated. The mid-tempo rock beat gives the song a driving, forward momentum, but it's measured, not frantic, allowing for a reflective mood. Tobias Forge's smooth, melodic vocals convey a sense of yearning and conviction, especially in the chorus. The lyrics themselves are central to the emotional tone, painting a picture of a shared journey filled with both highs ("riding high") and lows ("all we got was blues").

There is also a strong undercurrent of defiance and illicit excitement. The provocative, quasi-blasphemous lyrics create a sense of doing something forbidden, which contributes to an atmosphere of rebellious joy. The assertion, "And I see nothing wrong with that," is a clear statement of defiance against conventional morality. This mix of nostalgia for a lost connection and the thrill of a shared, secret world results in a complex emotional tapestry that is both melancholic and uplifting, making the song deeply resonant with a wide audience.

The cultural influence of "Mary On A Cross" is a remarkable story of a B-side track achieving massive, unexpected mainstream success years after its initial release. Released in 2019 on the Seven Inches of Satanic Panic EP, the song had a dedicated following among Ghost's fanbase and was a regular part of their live shows.

Its major cultural impact began in the summer of 2022 when the song went viral on TikTok. A fan-made video using a slowed-down version of the song to soundtrack a montage of the TV show Stranger Things became incredibly popular. This initial clip sparked a massive trend, with hundreds of thousands of other users on the platform creating videos with both the original and remixed versions of the song. The hashtag #MaryOnACross has garnered over a billion views on the platform.

This viral explosion had a significant real-world impact. "Mary On A Cross" became Ghost's most-streamed song on Spotify and led to the band's first-ever appearance on the US Billboard Hot 100 chart, reaching number 90. The song was certified Gold in the United States, marking a major commercial achievement for the band. The phenomenon brought Ghost, a band long established in the rock and metal world, to a much broader, younger, and more mainstream audience who may not have otherwise discovered their music. The band and their label capitalized on the moment by releasing an official lyric video with a 1969 aesthetic and a new vinyl pressing of the EP. The song's journey from a deep cut to a viral sensation is a prominent example of how social media platforms like TikTok can reshape a song's legacy and introduce established artists to new generations.

The rhyme and rhythm of "Mary On A Cross" are integral to its catchy, 60s-inspired rock sound. The song's structure is accessible and contributes significantly to its overall feel and memorability.

Rhyme Scheme:

The song primarily uses a simple and effective rhyme scheme within its verses and chorus, which enhances its pop sensibilities. The verses often follow an AABB or ABCB pattern, creating a sense of flow and predictability that is easy on the ear. For example, in the first verse, "together" and "matter" create a near rhyme, while "avenues" and "blues" are a perfect rhyme. The chorus employs repetition and rhyme to make it highly memorable:

"You go down just like Holy Mary
Mary on a, Mary on a cross
Not just another Bloody Mary
Mary on a, Mary on a cross"

Here, the repetition of "Mary" and "cross" acts as a powerful refrain, while rhyming with the subsequent lines. The pre-chorus lines also rhyme, such as "high" and "go," creating a sense of anticipation for the chorus.

Rhythm and Meter:

"Mary On A Cross" is set in a 4/4 time signature, which is standard for rock and pop music, giving it a steady and danceable beat. The tempo is moderate, contributing to the song's groovy and slightly laid-back feel, reminiscent of 60s psychedelic rock. The lyrical rhythm generally follows the musical rhythm closely, with Forge's vocal phrasing fitting neatly within the song's structure. The drumming provides a solid backbeat, while the bass line is melodic and helps to drive the song forward. The interplay between the driving rhythm section and the more fluid, melodic organ creates a dynamic texture that is both grounded and atmospheric. The rhythm of the vocal melody in the chorus, with its repeated phrases, makes it particularly infectious and easy to sing along to, which was undoubtedly a factor in its viral success.

"Mary On A Cross" employs a blend of musical and literary techniques to achieve its distinctive 1960s psychedelic rock feel and layered lyrical meaning.

Musical Techniques:

• Instrumentation: The song is heavily driven by a prominent psychedelic garage rock organ, which immediately establishes a late '60s aesthetic. This is complemented by a solid rock foundation of electric guitars, bass, and drums that provide a driving, mid-tempo rhythm.
• Vocal Delivery: Tobias Forge's vocal performance is melodic and smooth, with a hint of swagger. The delivery is clean, contrasting with the often harsh vocals of other metal subgenres, which makes the provocative lyrics more insidious and memorable. He employs higher harmonies in the chorus to create a fuller, more anthemic sound.
• Arrangement and Structure: The song follows a relatively standard verse-chorus structure, making it catchy and accessible. The instrumental breaks, particularly the organ solos, reinforce the psychedelic atmosphere. The build-up to the final chorus creates a powerful and climactic emotional release.
• Harmonic Language: The song utilizes a repeating four-chord progression in the chorus, which is a common technique in pop and rock music to create a memorable hook. The overall harmonic language is diatonic and relatively simple, which contributes to its catchy nature.

Literary Techniques:

• Ambiguity and Double Entendre: This is the most significant literary device used. Phrases like "go down" and "tickle you internally" are deliberately open to both sexual and non-sexual interpretations. This creates lyrical tension and invites listener speculation.
• Religious Allusion and Juxtaposition: The song is built around allusions to Christian figures like "Holy Mary" and Mary Magdalene. These sacred figures are juxtaposed with profane and sexual imagery ("go down," "tickle you internally"), creating a sense of blasphemy and rebellion that is central to Ghost's artistic identity.
• Metaphor: The song uses extended metaphors, such as life as a journey ("speeding together down the dark avenues") and a person as a religious icon ("Mary on a cross").
• Pun: Some listeners and critics have pointed out the potential pun in the chorus, where the repeated phrase "Mary on a" can sound like "marijuana," adding another layer of interpretation related to drug culture.

What is 'Mary On A Cross' by Ghost about?

Officially, frontman Tobias Forge says 'Mary On A Cross' is about friendship and how relationships change over time. However, its lyrics are intentionally ambiguous, leading to interpretations about romance, drug use (marijuana), or a commentary on being misunderstood, with the 'Mary' figure possibly referencing Mary Magdalene.

When was 'Mary On A Cross' released?

'Mary On A Cross' was released on September 13, 2019, as the B-side on the two-track EP titled 'Seven Inches of Satanic Panic.'

Why did 'Mary On A Cross' become so popular on TikTok?

The song went viral in the summer of 2022 after a TikTok user created a popular 'Stranger Things' fan edit using a slowed-down version of the track. This sparked a massive trend, leading to hundreds of thousands of videos using the song and introducing it to a huge new audience.

What does the lyric 'You go down just like Holy Mary' mean?

This lyric is intentionally ambiguous. While it can be interpreted sexually, Tobias Forge has explained it can also mean 'to go down in history.' The line plays on the provocative and multi-layered lyrical style of the band.

What genre of music is 'Mary On A Cross'?

The song is primarily categorized as psychedelic rock and hard rock with strong pop-rock sensibilities. Its prominent organ and melodic structure give it a distinct late 1960s sound.

Is 'Mary On A Cross' a satanic song?

While Ghost uses satanic and anti-religious imagery as part of their theatrical identity, the song's primary theme, according to the writer, is about friendship and being misunderstood. The provocative religious language is used metaphorically and for shock value, a common feature of the band's work.

Who wrote 'Mary On A Cross'?

The song was written by Ghost's frontman and creative leader, Tobias Forge, along with the Swedish songwriting and production duo Salem Al Fakir and Vincent Pontare (known as Vargas & Lagola).