September

"September" by Earth, Wind & Fire is an anthem of pure, unadulterated joy and the celebration of a cherished memory. At its core, the song is a nostalgic look back at a specific, magical night—the 21st of September—when a deep and true love story began. The lyrics evoke a sense of perfect happiness, a time "never was a cloudy day," suggesting a memory untarnished by negativity. It's about remembering a moment of profound connection and bliss, dancing with a loved one and feeling a love so powerful it could change the "minds of pretenders" and chase away all doubts. The song's narrative progresses from this initial spark in September to a solidified, lasting love by December, emphasizing the theme of enduring romance. Ultimately, "September" is not just about a specific date but about the universal feeling of holding onto a perfect, joyful memory and the happiness it brings whenever it is recalled. It serves as a timeless invitation to celebrate love, life, and the unforgettable moments that define them.

The song is a vibrant and joyful recollection of a special, loving memory tied to the "21st night of September." It opens by posing this question directly to a loved one, immediately establishing a tone of shared nostalgia. The memory is painted as a perfect, idyllic moment where love was transforming skepticism into belief, effectively chasing away any doubt or negativity, much like clearing clouds from the sky. The narrative centers on a love story that began with a memorable dance on this specific September night, a moment so pure and happy that it felt like there was never a cloudy day.

As the song progresses, it expands on this foundation of shared joy. The lyrics describe how their hearts were intertwined, beating as one while they remembered how their love revealed its true power. The chorus, with its infectious and universal "Ba-dee-ya" chant, acts as a recurring invitation to join in this remembrance, reinforcing the central theme of celebrating this cherished memory. It’s not just about remembering, but about reliving the feeling of dancing in September.

The story moves from the initial spark in September to the deepening of this love by December, highlighting another cherished memory from their time together. This transition shows the progression and endurance of their love. The mention of "blue talk and love" suggests intimate and heartfelt conversations that solidified their bond, creating a foundation of true love that they believe will last. The memory of this love serves as a source of strength and hope for the future.

The bridge of the song elevates the memory to an almost spiritual level of celebration. The imagery of "bells were ringin'" and "souls were singin'" suggests a profound, almost sacred connection, perhaps alluding to a wedding or a moment of deep, mutual commitment. They were so enveloped in this perfect love that they believed no sorrow or "cloudy day" could ever touch them. The song concludes by returning to the central motifs—the dance, the memory, the love—and the endlessly catchy "Ba-dee-ya," leaving the listener in a state of perpetual, infectious happiness and encouraging them to hold onto their own perfect moments of joy.

The creation of "September" began with a chord progression and musical structure developed by Earth, Wind & Fire's guitarist, Al McKay, in his home studio. He presented the infectious groove to the band's founder and lead singer, Maurice White. White was immediately taken with the happy-sounding track and collaborated with McKay and songwriter Allee Willis to write the song over a period of about a month. Willis, a struggling songwriter at the time, was brought into the project after being connected with the band and described walking into the studio and hearing the intro as an instantly joyful experience. The song was intentionally crafted to be simple and uplifting. One of the most famous anecdotes involves the nonsensical phrase "Ba-dee-ya." It was originally a placeholder lyric used by Maurice White to feel out the melody. Allee Willis famously fought to replace it with real words, fearing it sounded like gibberish. On the last day of recording, she pleaded with White, who responded, "Who the f*** cares?" and taught her his greatest songwriting lesson: "Never let the lyric get in the way of the groove." The specific date, the "21st night of September," was chosen primarily for its phonetic quality; Willis and White went through numerous dates, and "the 21st" simply sang the best. However, years later, White's wife revealed that September 21st was the due date for their son, Kahbran, adding a layer of personal significance. The song was recorded in September 1978 and released on November 18, 1978, as a new track on the compilation album The Best of Earth, Wind & Fire, Vol. 1 to entice fans to buy the record.

While "September" is known for its direct and joyful lyrics, it employs subtle symbolism to enhance its themes.

• Seasonal Progression: The song references both September and December. September, often associated with the transition from summer to autumn, symbolizes the beginning of a new chapter—the start of a beautiful romance. The mention of being together in December signifies the progression and solidification of this love, enduring through the changing seasons.
• Chasing the Clouds Away: The line "While chasing the clouds away" is a clear metaphor for overcoming doubt, sadness, or problems. Love is depicted as a powerful force that brings clarity and happiness, dispelling any negativity. The recurring statement, "never was a cloudy day," reinforces the idea of a perfect, idealized memory free from any trouble.
• Celestial Imagery: The lyric "How the stars stole the night away" uses celestial imagery to describe the magic and wonder of the night. The stars represent a beautiful, almost divine backdrop to their love story, making the memory feel transcendent and unforgettable.
• Bells and Singing Souls: The bridge, with its imagery of "the bells were ringin'" and "our souls were singin'," adds a spiritual or ceremonial dimension. It evokes feelings of a wedding or a profound, unified celebration, symbolizing the deep harmony and joyous union of two people.

The predominant emotional atmosphere of "September" is one of overwhelming and infectious joy. From the very first notes of the vibrant intro, the song establishes an uplifting and celebratory mood that is sustained throughout. This is achieved through a masterful combination of elements: the bright, soaring horn arrangements, the driving funk/disco rhythm, the energetic guitar riffs, and the joyful vocal performances, particularly the interplay between Maurice White's smooth tenor and Philip Bailey's ecstatic falsetto. The lyrics contribute to this feeling by painting a picture of a perfect, idealized memory of love and connection, a time when there "never was a cloudy day." This creates a powerful sense of nostalgia, but it's a happy, celebratory nostalgia rather than a melancholic one. The song is a pure expression of bliss, designed to make listeners feel good and compelled to dance. The simple, repetitive chorus with the "ba-dee-ya" chant enhances this, creating a sense of universal, communal celebration.

"September" has had a profound and lasting cultural impact, solidifying its status as a timeless classic. Upon its release in 1978, it was a commercial success, reaching No. 1 on the Billboard Hot R&B Songs chart and No. 8 on the Hot 100 in the US, as well as No. 3 in the UK. The song has been certified 6x Platinum in the US for sales and streams, a testament to its enduring popularity. In 2018, it was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant." Its infectious joy has made it a staple at weddings, parties, and celebrations worldwide. The song has been featured extensively in pop culture, appearing in numerous films like Night at the Museum, The Intouchables, and Trolls (which featured a cover version with Justin Timberlake and Anna Kendrick), as well as TV shows and commercials. The date mentioned in the song, September 21st, has become an unofficial annual holiday, celebrated on social media with memes and videos. The song has been covered and sampled by numerous artists, and its influence can be heard in the work of contemporary acts like Bruno Mars and Pharrell Williams who draw from Earth, Wind & Fire's funk and soul fusion.

The rhyme and rhythm of "September" are fundamental to its infectious and joyful character. The song's rhythmic structure is built on a classic four-on-the-floor disco beat, with a tempo that is perfect for dancing, which was a key goal for the writers. The groove is complex, with syncopated interplay between the guitars, bass, and drums creating a propulsive, energetic feel that is instantly recognizable. The bassline, played by Verdine White, is a masterwork of funk, providing a melodic counterpoint to the main theme while locking in tightly with the drums.

Lyrically, the song employs a simple, effective rhyme scheme, primarily using couplets (AABB), as seen in the verses: "Do you remember the 21st night of September? / Love was changing the minds of pretenders / While chasing the clouds away / Our hearts were ringing in the key that our souls were singing, as we danced in the night, remember / How the stars stole the night away." The phrasing is cleverly constructed around bouncing, three-syllable patterns, most notably in the chorus: “Ba de ya / say do you remember / ba de ya / dancing in September.” This rhythmic phrasing makes the lyrics incredibly catchy and easy to sing along to. The interplay between the lyrical rhythm and the intricate musical rhythm creates a seamless and uplifting experience, where every element contributes to the song's primary mission: to make people feel good and dance.

"September" is a masterclass in musical and lyrical craftsmanship, blending several techniques to create its timeless appeal.

Musical Techniques:

• Layered Instrumentation: The song features a rich, multi-layered arrangement. The intro alone deceptively weaves together multiple syncopated guitar parts, a driving piano chord progression, strings, and percussion. This intricate texture creates a full, vibrant soundscape.
• Iconic Horn Section: The Latin-flavored horn lines are a signature element, providing powerful, uplifting stabs and flourishes that punctuate the melody and drive the song's energy.
• Funk Groove: The foundation of the song is an infectious funk groove built on a repetitive four-measure chord pattern, a driving bassline from Verdine White, and a classic four-on-the-floor disco beat, making it irresistibly danceable.
• Vocal Contrast: The track masterfully contrasts Maurice White's smooth tenor on the verses with Philip Bailey's soaring falsetto in the background and chorus, adding dynamic texture and emotional lift.
• Vocal Doubling Effect: A subtle doubling effect is used on the lead vocal, which enriches the sound and makes it feel more powerful and energetic as the song progresses.

Literary Techniques:

• Direct Address & Rhetorical Question: The song opens with "Do you remember...?", directly engaging the listener and a specific person, creating an immediate sense of intimacy and shared nostalgia.
• Repetition: The recurring "Ba-dee-ya" refrain and the phrase "Do you remember" serve as powerful hooks, making the song incredibly memorable and creating a singalong anthem.
• Imagery: The lyrics use simple yet vivid imagery like "dancing in September," "chasing the clouds away," and "souls were singin'" to paint a clear picture of joy, romance, and celebration.

What is the real meaning behind the '21st night of September'?

According to co-writer Allee Willis, there is no deep historical significance. The date was chosen simply because it sounded the best phonetically when sung. She and Maurice White tested many dates, and 'the 21st' had the best flow and feel for the song's groove. However, Maurice White's wife later revealed it was the due date of their son, Kahbran.

What does 'Ba-dee-ya' mean in the song September?

'Ba-dee-ya' has no literal meaning. It was a placeholder phrase used by Maurice White while developing the melody. Songwriter Allee Willis wanted to replace it with real lyrics, but White insisted on keeping it, famously teaching her to 'never let the lyric get in the way of the groove.'

Who originally wrote the song 'September'?

The song was written by Earth, Wind & Fire's guitarist Al McKay, lead singer Maurice White, and songwriter Allee Willis. McKay developed the initial musical chord progression, while White and Willis collaborated on the lyrics and melody over the course of a month.

When was 'September' by Earth, Wind & Fire released?

The song was officially released as a single on November 18, 1978. It was recorded in September of that year and was included as a new track on the compilation album 'The Best of Earth, Wind & Fire, Vol. 1'.

What musical genres does 'September' belong to?

'September' is a fusion of several genres, most prominently Disco, Funk, and Soul, with elements of R&B. Its upbeat tempo, four-on-the-floor beat, and celebratory horn sections are characteristic of the disco and funk era of the late 1970s.

Why is 'September' so popular at weddings and parties?

Its immense popularity at celebrations is due to its overwhelmingly joyful and uplifting energy, infectious dance rhythm, and universal themes of love and happy memories. The simple, catchy chorus is easy for everyone to sing along to, creating a communal atmosphere of fun.

Was 'September' on a regular studio album?

No, 'September' was not included on one of Earth, Wind & Fire's regular studio albums. It was released as a new song on their first greatest hits compilation, 'The Best of Earth, Wind & Fire, Vol. 1', to encourage fans to purchase an album of songs they likely already owned.