Gyalchester

"Gyalchester" is a powerful anthem of braggadocio, success, and defiance. The song's primary meaning revolves around Drake's assertion of his dominant position in the music industry and his immense wealth. The lyrics are a tapestry of luxurious imagery ("Hermès link, ice-blue mink") and declarations of his unshakeable status. A core theme is the idea of legacy and resilience; the line "Bury me now and I only get bigger" suggests that any attempt to diminish his influence will only strengthen his legend. It's a statement of perceived invincibility. The song also explores themes of loyalty and brotherhood, particularly in the line, "Me and my broski are twins, but we don't look alike," which emphasizes a deep bond based on shared struggles and success rather than blood ties. The title itself, "Gyalchester," is a portmanteau of the Jamaican patois word "gyal" (girl) and Manchester, a parish in Jamaica known for its beautiful women. This nod to Jamaican culture reflects the broader sonic and thematic influences of the More Life project and associates Drake with a place of vibrancy and appeal, even though the location is not mentioned in the lyrics.

The narrative of the song opens with a powerful declaration of a luxurious and permanent lifestyle, symbolized by expensive accessories like an Hermès link chain and an ice-blue mink coat. This is immediately contrasted with a rebellious act—getting a tattoo on the ribs—which is ironically described as if the concept of permanence is unknown, suggesting a life lived on impulse and without regret. The central figure asserts his resilience and growing influence, claiming that any attempt to metaphorically "bury" him or remove him from his position of power will only result in his legacy becoming larger and more significant. This is a promise sworn on his loyalty to his close friends.

The first verse delves deeper into his elite status. He mentions his crew, OVO ("October Firm"), being ever-present at the top, a position he maintains effortlessly. He dismisses the idea of settling down, exemplified by a woman wanting to get married, which he rejects because he is too focused on his pristine image and success, symbolized by his all-white attire. A key line, "Me and my broski are twins, but we don't look alike," speaks to a deep, familial bond with his friends that transcends physical appearance, built on shared experiences and loyalty. He portrays a relentless work ethic, stating he doesn't take naps because his attachment to making money is too strong. He references his own brand of whiskey, Virginia Black, as a successful venture that could sustain him even without his music career, underlining his entrepreneurial skill. The verse concludes by reaffirming his commitment to maximizing his contracts and financial success.

The second verse pivots to a more confrontational and boastful tone. He declares his current dominance in the rap game, feeling "so hot" and "so right now." He issues a warning to anyone not aligned with his crew, expressing paranoia about being monitored by federal authorities ("Feds"), who dislike seeing him succeed. He boasts about his versatility, comparing his ability to switch flows to changing time zones. His elevated status is further illustrated by contrasting exclusive restaurants like Nobu with more accessible ones like Milestone's, and upgrading from a condo to a mansion. He continues his tale of opulence with a new Maybach car. The verse culminates in a bold re-evaluation of his place in hip-hop's hierarchy. He revises his previous self-ranking from "top five" to "top two," and then immediately clarifies that he is not number two, but the undisputed number one, dismissing any potential rivals.

"Gyalchester" was released on March 18, 2017, as the ninth track on Drake's commercial mixtape, More Life. The song was written by Drake (Aubrey Graham), István Megyimorecz, and Rico Brooks. The production was handled by Hungarian producer iBeatz (István Megyimorecz), who crafted the song's signature dark, trap-influenced beat. The track features prominent ad-libs and background vocals from Baka Not Nice (Travis Savoury), a longtime affiliate of Drake's OVO Sound label who was formerly part of his security detail. The song was recorded in 2017 at SOTA Studios and Studio 306 in Toronto. The creation of "Gyalchester" fits within the context of the More Life project, which Drake described as a "playlist" rather than a traditional album, allowing for a more diverse collection of sounds and collaborations that drew heavily from international influences, particularly from the UK and Jamaica.

The lyrics of "Gyalchester" are rich with symbolism and metaphors that reinforce its themes of wealth, power, and permanence.

• Luxury Goods as Status: The opening line, "Hermès link, ice-blue mink," uses high-fashion items as immediate symbols of elite status and immense wealth. They are not just objects but emblems of a lifestyle that is unattainable for most, visually manifesting his success.
• Tattoos and Permanence: The line "Tat on my ribs like I do not know what permanent is" is a key metaphor. On the surface, it points to an impulsive act, yet it simultaneously symbolizes the permanent mark that his success and choices have left on his life. It's a defiant embrace of indelible actions in a fickle industry.
• Metaphorical Death and Legacy: The lyric "Bury me now and I only get bigger" is a powerful metaphor for his legacy. Drake suggests that his influence has reached a point where even his absence or downfall would only serve to amplify his legendary status, much like artists who become more famous after their death.
• Brotherhood as Twinship: The phrase "Me and my broski are twins, but we don't look alike" is a metaphor for a deep, non-biological kinship. It signifies a bond forged through shared experiences and loyalty that is as strong as a familial, identical twin relationship, emphasizing the importance of his inner circle.

The predominant emotional tone of "Gyalchester" is one of supreme confidence and assertive bravado. From the opening lines, the song establishes an atmosphere of untouchable success and defiant pride. This is crafted through Drake's commanding vocal delivery, which is steady and unwavering, projecting a sense of complete control. The dark, bass-heavy trap production provides a serious and slightly intimidating backdrop that complements the lyrical content. The emotional landscape is not monolithic; while confidence is at the forefront, there are underlying currents of paranoia ("Keep hearin' clicks when I'm talkin' on the iPhone") and defiance against unnamed adversaries ("They want me gone, wait for the kicker"). There is no significant emotional shift throughout the track; instead, it maintains a consistent level of high-status assertion and ambition, creating a motivational and triumphant, albeit arrogant, feeling. The overall atmosphere is one of a victory lap, a moment of reflection on his peak status while simultaneously daring anyone to challenge it.

"Gyalchester" made a significant cultural impact upon its release as a standout track from the commercially successful More Life project. The song performed well on international charts, debuting at number 29 on the US Billboard Hot 100 and number 13 on the Canadian Hot 100. It also charted in the UK, reaching number 32 on the Official Singles Chart. One of the song's most memorable moments in the public eye was Drake's live performance at the 2017 Billboard Music Awards. He performed the song in the middle of the iconic Fountains of Bellagio in Las Vegas, a visually spectacular event complete with fireworks that was widely praised. The song's title also sparked public curiosity, leading to a spike in Google searches for the term "Gyalchester," introducing many to the Jamaican slang nickname for the parish of Manchester. The track solidified the presence of Baka Not Nice as a key member of Drake's OVO camp, with his ad-libs becoming a recognizable feature. Within Drake's discography, "Gyalchester" is often cited as a fan favorite from the More Life era, perfectly encapsulating the project's blend of confident rap and international flavor.

The rhyme and rhythm in "Gyalchester" are central to its assertive and hypnotic appeal. The song is set to a mid-tempo trap beat. Drake's primary flow is confident and rhythmic, often using a sixteenth-note pattern that allows him to fit intricate lines within each bar while maintaining clarity. The chorus employs a simple but effective AABB rhyme scheme with perfect rhymes: mink/is and kicker/bigger. This makes the hook incredibly catchy and memorable. In the verses, Drake's rhyme schemes become more complex. He utilizes frequent internal rhymes and assonance to create a fluid and interconnected sound (e.g., "Stay at the top like I'm stuck / That's just how I'm givin' it up"). He often ends his lines with strong, monosyllabic rhymes that land decisively on the beat, emphasizing his points (e.g., naps/attached, back/unpack/Black/rap). The rhythmic tension and release are skillfully managed; he'll deliver a rapid-fire sequence of lines and then pause, allowing the beat to breathe before delivering a punchline. This interplay between his vocal rhythm and the track's instrumental pulse creates a dynamic listening experience that is both laid-back and intensely confident.

"Gyalchester" employs a range of stylistic techniques to create its confident and confrontational tone. Musically, the song is built on a dark, minimalist trap beat produced by iBeatz, characterized by heavy 808 bass, sparse synthesizer melodies, and a driving hi-hat pattern. This creates an atmospheric and slightly menacing backdrop for Drake's vocals. Vocally, Drake uses a confident, often syncopated flow that sits squarely in the pocket of the beat. His delivery is assertive and declarative, reinforcing the braggadocio of the lyrics. The inclusion of ad-libs and background vocals from Baka Not Nice adds a layer of raw energy and authenticates the song's street-oriented feel. Lyrically, the song is a prime example of braggadocio rap, utilizing direct statements of superiority ("I know I said top five, but I'm top two / And I'm not two and I got one"). Drake employs vivid imagery related to wealth and luxury to build his persona. He also uses rhetorical devices, such as when he asks, "Who's not gang, bitch? Let me find out," directly challenging his opponents and asserting his crew's dominance. The overall structure is tight, relying on a repetitive, memorable chorus to anchor the track.

What does the song title 'Gyalchester' mean?

'Gyalchester' is a popular Jamaican patois nickname for the parish of Manchester in Jamaica. It's a portmanteau that replaces 'Man' with 'Gyal' (a term for 'girl' or 'woman'), implying it's a place known for having many beautiful women.

Who is the other voice featured on 'Gyalchester'?

The additional background vocals and ad-libs on the track are provided by Baka Not Nice (real name Travis Savoury). He is a Toronto-based rapper and a longtime affiliate of Drake's OVO Sound label, having previously worked as part of Drake's security team.

What is the meaning behind the line 'Bury me now and I only get bigger'?

This line is a metaphor about Drake's legacy. He is claiming that his influence and status are so significant that any attempt to end his career or remove him from the spotlight would only make him more famous and legendary, similar to how iconic figures are often more celebrated after their death.

What is 'Gyalchester' about?

The song is primarily about Drake's success, wealth, and dominant position in the music industry. It's a track filled with braggadocio, where he boasts about his luxurious lifestyle, loyalty to his friends, and his belief that he is at the absolute peak of his career.

Who produced the beat for 'Gyalchester'?

The song was produced by István Megyimorecz, a Hungarian producer who goes by the stage name iBeatz. He is also credited as a co-writer on the track alongside Drake and Rico Brooks.

What album is 'Gyalchester' from?

"Gyalchester" is the ninth track on Drake's 2017 commercial mixtape/playlist titled <i>More Life</i>. The project was framed as a collection of songs rather than a formal studio album.