2 Of Amerikaz Most Wanted (ft. Snoop Doggy Dogg)

"2 of Amerikaz Most Wanted" is a powerful anthem of defiance and solidarity from two of the West Coast's most iconic rappers, 2Pac and Snoop Dogg. At its core, the song is a celebration of their outlaw personas, embracing the "most wanted" label that society and the justice system have placed upon them. The recurring line, "Ain't nothin' but a gangsta party," serves as the track's central theme, but it represents more than just a literal celebration. It's a metaphorical assertion of their freedom and resilience in the face of constant scrutiny, legal battles, and the dangers of their lifestyle.

The lyrics delve into the paradox of their existence: achieving immense wealth and fame ("Two multimillionaire motherfuckers catchin' cases") while simultaneously being targets of law enforcement and the justice system. 2Pac's verses highlight his personal legal troubles and the feeling of being constantly on the run, yet remaining defiant and strategic. There's a strong element of social commentary, critiquing a system they view as prejudiced against African American men. The song transforms their criminalization into a badge of honor, a symbol of their resistance against systemic oppression.

Furthermore, the song is a powerful declaration of brotherhood and loyalty between 2Pac and Snoop Dogg. Their collaboration was a significant moment in hip-hop, uniting two major figures of the West Coast scene and showcasing their shared struggles and mutual respect. The track's narrative also touches on aspirations for legitimacy, as Snoop Dogg raps about dreaming of owning a legal casino like Bugsy Siegel, suggesting a desire to transcend their street origins and build a lasting, lawful empire. Ultimately, "2 of Amerikaz Most Wanted" is a multi-layered song that combines celebratory bravado with a stark commentary on the realities of street life, the justice system, and the bonds of loyalty forged in adversity.

The song opens with a skit-like introduction, establishing a celebratory yet tense atmosphere, proclaiming it a "gangsta party." 2Pac and Snoop Dogg position themselves as two of America's most wanted figures, embracing this notorious status. They set a scene of indulgence with champagne and condoms, a toast to their lifestyle.

2Pac's first verse paints a picture of his life, aiming for riches while being entangled in the legal system, constantly in and out of courtrooms. He speaks of needing to be strategic and defensive, even suggesting a "Million March for some gangsta shit," highlighting a blend of street mentality and a desire for collective power. He and Snoop are portrayed as successful, multi-millionaires who are nevertheless still targeted and facing legal cases. 2Pac expresses his fierce loyalty to his allies and disdain for informants ("stool pigeons"), asserting his dominance in the rap game.

Snoop Dogg's verse continues this narrative, describing his lavish lifestyle with a pitbull, a house in the hills, and dreams of owning a legal casino, drawing a parallel to the infamous gangster Bugsy Siegel. This reflects an ambition to legitimize their wealth and power. The verse reinforces the idea that their lifestyle is for the "G's and the keys," a nod to both the gangster life and the keys of cocaine, symbolizing their street credibility and the source of their wealth.

2Pac returns with a verse that underscores the harsh realities of their existence. He and Snoop are presented as the "best from the West side," unapologetic about their fame and the life they lead. He touches on the constant threat of violence and the fatalistic view that living by the gun means dying by it. The lyrics mention navigating this dangerous life, being hard to kill, and staying affiliated with hustlers to survive and succeed. The recurring phrase "Ain't nothin' but a gangsta party" acts as a chorus, reinforcing that despite the danger and the legal troubles, they will continue to celebrate their defiance and unity. The song is a bold declaration of their status, a critique of the system that prosecutes them, and a celebration of their bond and success in the face of adversity.

"2 Of Amerikaz Most Wanted" was recorded in October 1995 at Can-Am Studios in Tarzana, Los Angeles. It was one of the many tracks created during the famously prolific period following 2Pac's release from prison and signing with Death Row Records. The song was produced by Daz Dillinger (credited as Dat Nigga Daz), who also co-wrote the track with 2Pac (Tupac Shakur) and Snoop Dogg (Calvin Broadus). The collaboration between 2Pac and Snoop Dogg was a monumental event in hip-hop, uniting two of the biggest stars of the West Coast. According to Snoop Dogg, 2Pac had an intense sense of urgency in the studio, often recording multiple songs in a single day, which pushed everyone around him to work harder. This track was reportedly one of three songs 2Pac worked on in one day. The song was created amidst 2Pac's ongoing legal battles, which heavily influenced his lyrical content, reflecting his defiance and feelings of being targeted by the system. "2 Of Amerikaz Most Wanted" was released as a promotional single on May 7, 1996, and also appeared as the B-side to the single "How Do U Want It". It was a key track on 2Pac's fourth studio album, the diamond-certified double-album All Eyez on Me (1996). The music video, directed by Gobi M. Rahimi, was released on April 28, 1996, and famously included a skit at the beginning that parodied The Notorious B.I.G. ("Piggy") and Puff Daddy ("Buffy"), fueling the infamous East Coast-West Coast hip-hop rivalry. The instrumental for this skit was a parody of Biggie's "Big Poppa".

The song is rich with symbolism and metaphors that elevate it from a simple party track to a complex statement.

• "Amerikaz Most Wanted": The title itself is a primary metaphor. 2Pac and Snoop Dogg liken their status as controversial and highly successful Black artists to that of notorious criminals on a most-wanted list. This flips a negative societal label into a badge of honor and a symbol of their rebellious influence.
• The "Gangsta Party": This recurring phrase symbolizes a celebration of life and defiance in the face of adversity. It's not just a literal party but a metaphorical space where they can assert their freedom and camaraderie, despite being under the constant threat of legal action and violence. The party is an act of resistance.
• Bugsy Siegel Reference: Snoop Dogg's desire to own a "fly casino like Bugsy Siegel" is a metaphor for achieving the American dream, albeit through a lens of gangster history. Siegel was a mobster who was instrumental in the development of Las Vegas. This reference symbolizes the aspiration to transform illicit street success into legitimate, mainstream power and wealth.
• "Losin' My Religion": 2Pac's use of this phrase (famously the title of a R.E.M. song) metaphorically suggests he is losing faith in the established systems of justice and society. It signifies a turn towards a more cynical and self-reliant worldview, driven by his experiences.

The emotional landscape of "2 Of Amerikaz Most Wanted" is a complex mixture of defiance, triumph, and tension. The predominant tone is one of unapologetic bravado and celebratory rebellion. This is created through the upbeat G-funk production, with its infectious bassline and party-like rhythm, and the chorus's repeated declaration of a "gangsta party."

However, beneath this celebratory surface lies a strong undercurrent of anger and paranoia. 2Pac's aggressive vocal delivery and lyrics about being "on the run" and facing the courtroom convey a sense of being hunted and constantly under pressure. There's a feeling of fatalism, particularly in lines like, "We live by the gun, so we die by the guns," which introduces a somber and realistic perspective on the violence inherent in their world. The collaboration itself exudes a powerful feeling of camaraderie and loyalty, a sense of strength in unity against a hostile outside world. This creates a mixed sentiment: the joy and power of rebellion are constantly shadowed by the grim realities that make such defiance necessary.

"2 of Amerikaz Most Wanted" stands as a landmark track in 1990s hip-hop, leaving a significant cultural footprint. As a cornerstone of the diamond-selling album All Eyez on Me, it solidified the dominance of West Coast G-funk and Death Row Records. The collaboration between 2Pac and Snoop Dogg was a historic moment, uniting two of the era's biggest and most influential rappers and symbolizing West Coast solidarity during the height of the coastal feud.

The song peaked at number 46 on the Billboard Hot R&B/Hip-Hop Airplay chart, becoming a staple on radio and in clubs. Its controversial music video, which famously parodied East Coast rivals Biggie Smalls and Puff Daddy, was a major talking point and a significant escalation in the media-fueled rivalry. The song has been included on numerous 2Pac compilations, including his multi-platinum Greatest Hits (1998).

Its legacy endures through its use in media, such as the TV series Gang Related and the 2Pac biopic All Eyez on Me (2017). The song was also the last one 2Pac performed live at his final recorded concert at the House of Blues on July 4, 1996. Perhaps most iconically, the track was performed by Dr. Dre and Snoop Dogg at the 2012 Coachella Festival, featuring the famous hologram of 2Pac, reintroducing the song to a new generation and cementing its place in music history.

The rhyme and rhythm of "2 Of Amerikaz Most Wanted" are foundational to its G-funk style and impactful delivery.

• Rhyme Scheme: The song primarily uses couplets (AABB) and short rhyme chains, which is common in conversational rap styles. For example, in 2Pac's verse: "Picture perfect, I paint a perfect picture / Bomb the hoochies with precision my intention's to get richer." This straightforward scheme makes the lyrics direct and memorable.
• Rhythm and Flow: A key feature is the contrast in rhythmic delivery between the two artists. 2Pac employs a more aggressive, on-beat, and rhythmically complex flow, filled with polysyllabic rhymes and a sense of urgency. Snoop Dogg's flow is characteristically more relaxed, behind-the-beat, and melodic, giving the track its signature West Coast laid-back feel. This contrast creates a dynamic texture.
• Musical Rhythm: The underlying beat, produced by Daz Dillinger, is set at a moderate tempo (around 99-100 BPM), perfect for the G-funk groove. The rhythm is driven by a strong, funky bassline and a steady drum pattern, which provides a solid foundation for the rappers' vocal rhythms. The interplay between the lyrical and musical rhythms is seamless, creating the song's classic head-nodding quality.

"2 Of Amerikaz Most Wanted" showcases a blend of literary and musical techniques characteristic of 2Pac's style and the G-funk era.

• Narrative Voice: The song employs a dual first-person narrative, with 2Pac and Snoop Dogg trading verses to tell a cohesive story of their shared experiences. This creates a powerful sense of dialogue and partnership.
• Vocal Delivery: 2Pac's delivery is notably aggressive, energetic, and urgent, contrasting with Snoop Dogg's more laid-back, smooth, and melodic flow. This dynamic interplay between their vocal styles is a key feature of the track.
• G-Funk Production: The musical style is quintessential G-funk, produced by Daz Dillinger. It features a prominent, melodic bassline, synthesizers with high-pitched portamento (the "worm" sound), and a relaxed yet danceable tempo (around 99-100 BPM).
• Sampling/Interpolation: The song cleverly interpolates elements from earlier influential tracks. A line in 2Pac's verse, "Sho nuff, I keep my hand on my gun, cuz they got me on the run," is a direct reference to Grandmaster Flash and The Furious Five's seminal 1982 song "The Message." Another part of the song references "RadioActivity Rapp" by MC Fosty & Lovin' C.
• Skit Intro: The song, and particularly its music video, uses a dramatic skit to set the stage. This cinematic technique provides narrative context and, in this case, was used to directly address and satirize rivals, adding to the song's controversial impact.

What is the meaning behind '2 Of Amerikaz Most Wanted'?

The song is a defiant anthem where 2Pac and Snoop Dogg embrace their outlaw status. It's a celebration of their success and camaraderie in the face of legal troubles and societal persecution, turning the 'most wanted' label into a badge of honor. The 'gangsta party' is a metaphor for their resilient and unapologetic lifestyle.

When was '2 Of Amerikaz Most Wanted' released?

The song was released as a promotional single on May 7, 1996. It was featured on 2Pac's iconic double album 'All Eyez on Me,' which was released earlier that year on February 13, 1996.

Who produced the song '2 Of Amerikaz Most Wanted'?

The track was produced by Daz Dillinger, who was credited as Dat Nigga Daz. He was a key producer for Death Row Records and also co-wrote the song with 2Pac and Snoop Dogg.

What famous song is referenced in '2 Of Amerikaz Most Wanted'?

2Pac's line, 'Sho nuff, I keep my hand on my gun, cuz they got me on the run,' is a direct interpolation of a famous lyric from Grandmaster Flash and The Furious Five's 1982 classic, 'The Message,' linking their struggles to the pioneers of socially conscious hip-hop.

What is the significance of the music video for '2 Of Amerikaz Most Wanted'?

The music video is famous for its introductory skit, which parodies East Coast rivals The Notorious B.I.G. and Puff Daddy. This scene, depicting them in a compromising situation with 2Pac, significantly fueled the infamous East Coast-West Coast hip-hop rivalry of the mid-90s.

What is the 'Million March for some gangsta shit' lyric about?

This line from 2Pac is a direct reference to the Million Man March, a large gathering of African American men in Washington, D.C., in 1995. By co-opting this image, 2Pac is blending socio-political consciousness with street credibility, suggesting a need for unity and power within their own 'gangsta' community.

Was '2 Of Amerikaz Most Wanted' 2Pac's last performance?

Yes, '2 Of Amerikaz Most Wanted' was the final song performed by 2Pac at his last recorded concert, which took place at the House of Blues in West Hollywood, California, on July 4, 1996, just over two months before his death.